Search Results for: Gibson L5

Gibson SUPER V CESN Blonde “Master model” Archtop Guitar -L5 body with a Super 400 neck- OHSC

[embed]https://www.youtube.com/watch?v=L_U___s7lTM[/embed]

The Super V was designed for players seeking the tone and clarity of a Super 400, but with the smaller body of the L5. This offers the best of both with the larger Super 400 headstock and neck, and the smaller 17″ L5 Body. Listen to Bob DeVos playing a Super V https://www.youtube.com/watch?v=L_U___s7lTM

Gibson 1996 Blonde Wes Montgomery L5 CES Custom Archtop Jazz Guitar w OHSC

A 1996 vintage Gibson WES L5 carved archtop is difficult to beat in tone, playability, projection and value! This Blonde L5  is truly special!

Gibson 1952 Vintage L5CE Sunburst Archtop Guitar #A-12361

Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: This classic fully-hollow single-cutaway design is even better with a Gibson L5 neck.

Gibson L50 1950 Archtop Guitar #5596-29

A vintage Gibson carved archtop is difficult to beat in tone, playability, projection and value!This L50 with a scale 24 3/4” length and body size as the L-4 and the ES-175 models is easy to hold and fun to play, and allows for faster soloing, and more accurate chording of stretch voicings.

Gibson 1952 ES 175 Sunburst Archtop Guitar L5 24 3/4″ scale (Vintage Staple pickup,Ebony fretboard, L5 inlays & HS)

Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: This classic fully-hollow single-cutaway design is even better with a Gibson L5 neck.

1967 Gibson Vintage Super 400C Cutaway Blonde Vintage Archtop Guitar with case

This all original non cutaway Super 400 features solid carved-wood construction with a carved spruce top and carved maple back and solid maple sides, and upon its introduction was the largest guitar that theGibson had produced. 18” at the lower bout and 3 3/8” in depth at the rimes. Ebony fretboard with 20 frets joint to the body at the 14th fret and original rosewood bridge

Peerless Cremona 17VC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3017977

This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.

Peerless Cremona 17″x 2.5″ CES 2 HB Carved FC Archtop Electric Guitar #8347 w case

This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.

Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3017977

This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.

Eastman Jazz Elite 17-6 Classic Carved Electric Archtop Guitar #L2100420 w case

The Jazz Elite 17″ 6 string is an all carved, 17″ lower bout, 2 1/2″ at rims archtop, custom designed by Guitars ‘n Jazz with heavy paralell bracing, block inlays, hand wound lollar imperial set humbucker pickup, and all maple binding. Top of the Line archtop guitar and  “gig ready” out of the box.

Eastman Jazz Elite 17-6 Blonde archtop guitar #L2200188 w case

The Jazz Elite 17″ 6 string is an all carved, 17″ lower bout, 2 1/2″ at rims archtop, custom designed by Guitars ‘n Jazz with heavy paralell bracing, block inlays, hand wound lollar imperial set humbucker pickup, and all maple binding. Top of the Line archtop guitar and  “gig ready” out of the box.

Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR #8340 w case

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Eastman Jazz Elite 16″ Classic Archtop Electric Guitar L2100402

The Jazz Elite 16″ 7 string is an all carved, 17″ lower bout, 2 1/4″ at rims archtop, custom designed by Guitars ‘n Jazz with heavy paralell bracing, block inlays, hand woundfloatinf  pickup, and all maple binding. Top of the Line tested Jazz archtop guitar and  “gig ready” out of the box.

Eastman Jazz Elite 16″ Classic Archtop Electric Guitar L2100403

The Jazz Elite 16″ 7 string is an all carved, 16″ lower bout, 2 1/4″ at rims archtop, custom designed by Guitars 'n Jazz with heavy paralell bracing, block inlays, hand woundfloatinf  pickup, and all maple binding. Top of the Line tested Jazz archtop guitar and  “gig ready” out of the box.

2016 Custom Florentine Cutaway Palen PERFORMER Sunburst #89 , SOLD

PALEN ARCHTOPS are among the finest archtop guitars ever built. The Palen Archtop is an “special Parallel A  braced  instrument, descendent from the D’Aquisto school of instruments- very light and acoustic. It features a hand carved and graduated top and back, slightly thicker than many typical archtop guitars, with a very resonant and acoustic tone.

Eastman Jazz Elite 17-6 Blonde archtop guitar #L2100525 w case

The Jazz Elite 17″ 6 string is an all carved, 17″ lower bout, 2 1/2″ at rims archtop, custom designed by Guitars ‘n Jazz with heavy paralell bracing, block inlays, hand wound lollar imperial set humbucker pickup, and all maple binding. Top of the Line archtop guitar and  “gig ready” out of the box.