The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Aria D’Aquisto 16″ New Yorker Jr 2006 Archtop Guitar #603073 w OHSC
October 1, 2023 By
This stunning D’Aquisto instrument has s a deep, punchy tone with clarity and sweetness. This has a medium C/D -shaped neck with a beautiful Ebony fingerboard.
Eastman AC622CE-KOA #M2321548 w/ OHSC
September 28, 2023 By
A hand-crafted acoustic-electric cutaway as versatile as it is beautiful. Solid Koa top, back, & sides with flamed maple binding.
Eastman AC922CE #0819 w/ OHSC
April 19, 2023 By
Acoustic-electric/cutaway grand auditorium, top of the line. Solid Englemann Spruce top and carved Rosewood back & sides. Integral premium pickup system.
Eastman AC422CE #3089 w/ OHSC
April 18, 2023 By
An acoustic-electric/cutaway version of the AC422. Solid Sitka Spruce top, carved Rosewood back & sides. Integral Fishman Matrix VT pickup system.
Eastman AC622CE #M2221355 w/ OHSC
April 18, 2023 By
A hand-crafted acoustic-electric cutaway as versatile as it is beautiful. Solid Englemann Spruce top with flamed maple binding. Solid, highly-flamed Maple back & sides.
Aria D’Aquisto 16″ New Yorker Jr 2006 Archtop Guitar #603073 w OHSC
November 25, 2022 By
This stunning D’Aquisto instrument has s a deep, punchy tone with clarity and sweetness. This has a medium C/D -shaped neck with a beautiful Ebony fingerboard.
Eastman AC722CE w/ case #4266
November 16, 2022 By
Acoustic-electric/cutaway grand auditorium, top of the line. Solid Englemann Spruce top and carved Rosewood back & sides. Integral premium pickup system.
Eastman AC422CE #5124 New w/ case
November 16, 2022 By
An acoustic-electric/cutaway version of the AC422. Solid Sitka Spruce top, carved Rosewood back & sides. Integral Fishman Matrix VT pickup system.
D’Angelico rare 2010 EXS-1 16″ Archtop Guitar w case
October 3, 2022 By
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. This rare 16″ EXL-1 with a floating pickup was owned by a collector and hardly played and is the first 16″ ever to come through our shop in 25 years. Their design is unique and timeless. Instantly you know it is a D’Angelico.
Eastman AC122-2CE-CD #6877
May 5, 2021 By
An acoustic-electric/cutaway version of the AC122. Solid Sitka Spruce top, Sapele Laminate back & sides. Built-in Fishman Sonitone pickup system.
Eastman AC622CE #M2017648
March 17, 2021 By
A hand-crafted acoustic-electric cutaway as versatile as it is beautiful. Solid Englemann Spruce top with flamed maple binding. Solid, highly-flamed Maple back & sides.
Peerless Journeyman Archtop Jazz Electric Guitar w case #3018119
March 30, 2020 By
The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.
Peerless Journeyman Archtop Jazz Electric Guitar #3008639 w case
March 26, 2020 By
The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.
Peerless Journeyman Archtop Jazz Electric Guitar w case #3018115
March 26, 2020 By
The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.
Peerless Tonemaster Standard Jazz Guitar w case #3018192
March 11, 2020 By
A full sized 16″ solid spruce top, solid maple back and sides single cutaway hollow body very reminiscent of the Gretch swing and country guitars featuring two Filtertron pickups and a Bigbsy tailpiece.
Peerless Tonemaster Standard Jazz Guitar w case #3018191
March 5, 2020 By
A full sized 16″ solid spruce top, solid maple back and sides single cutaway hollow body very reminiscent of the Gretch swing and country guitars featuring two Filtertron pickups and a Bigbsy tailpiece.
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018389
February 25, 2020 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018285
February 19, 2020 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018286
February 19, 2020 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless Cremona 16VC 3017954
May 30, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16VC 3017955
May 25, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Ruby Cremona 16V Archtop Guitar # 7973
May 25, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar #3008764 w case
April 3, 2017 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless CONTESSA 16″ Archtop Jazz Guitar w upgrades #3008540 w case
April 3, 2017 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless Journeyman 3016021 all solid woods Archtop Jazz Electric Guitar w cAse
April 1, 2017 By
The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.
Eastman AC720 #3537
August 17, 2016 By
Acoustic-electric/cutaway grand auditorium, top of the line. Solid Englemann Spruce top and carved Rosewood back & sides. Integral premium pickup system.
Peerless Cremona 16V 9078
August 11, 2016 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Tonemaster Standard Jazz 5380 all solid woods w case
August 3, 2016 By
A full sized 16″ solid spruce top, solid maple back and sides single cutaway hollow body very reminiscent of the Gretch swing and country guitars featuring two Filtertron pickups and a Bigbsy tailpiece.
Peerless Tonemaster Standard Jazz 5379
August 3, 2016 By
A full sized 16″ solid spruce top, solid maple back and sides single cutaway hollow body
Peerless Journeyman #5326
July 28, 2016 By
The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.
Peerless Cremona 16V 6346
July 27, 2016 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16V 9084
July 27, 2016 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16V 9087
July 27, 2016 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16 #9082 NOS
July 27, 2016 By
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Eastman AJ616CE Features
September 22, 2012 By
A warm-sounding 16″ jumbo with rich room-filling tone. Carved Select Spruce top, carved mahogany sides & carved arched back. Integral Fishman Matrix VT pickup system.
Eastman AJ816CE Guitar Features
September 22, 2012 By
A brilliant-sounding 16″ jumbo with tone large and lush Carved Select Spruce top, carved maple sides & carved arched back Integral Fishman Matrix VT pickup system
Eastman AC420CE Features
September 22, 2012 By
An acoustic-electric/cutaway version of the AC420 Dreadnought. Solid Sitka Spruce top, carved Rosewood back & sides. Integral Fishman Matrix VT pickup system.
Eastman AC320CE Features
September 22, 2012 By
An acoustic-electric/cutaway dreadnought for extended versatility and projection. Solid Sitka Spruce top, Solid Sapele back & sides. Integral Fishman Matrix VT pickup system.
Eastman AC220CE Features
September 22, 2012 By
An acoustic-electric/cutaway version of the AC220 Dreadnought. Solid Sitka Spruce top, Rosewood laminate back & sides. Integral Fishman Sonitone pickup system.
Eastman AC120CE Features
September 22, 2012 By
An acoustic-electric/cutaway version of the AC120 Dreadnought. Solid Sitka Spruce top, Sapele Laminate back & sides. Built-in Fishman Sonitone pickup system.
Eastman AC722CE Features
September 19, 2012 By
Acoustic-electric/cutaway grand auditorium, top of the line. Solid Englemann Spruce top and carved Rosewood back & sides. Integral premium pickup system.
Eastman AC622CE Features
September 19, 2012 By
A hand-crafted acoustic-electric/cutaway as versatile as it is beautiful. Solid Englemann Spruce top with flamed maple binding. Solid Maple back & sides.
Eastman AC522CE Features
September 19, 2012 By
A premium acoustic-electric for every playing style. Solid Englemann Spruce top, Solid Mahogany back & sides. Integral Fishman Matrix VT pickup system.
Eastman AC422CE Features
September 19, 2012 By
An acoustic-electric/cutaway version of the AC422. Solid Sitka Spruce top, carved Rosewood back & sides. Integral Fishman Matrix VT pickup system.
Eastman AC322CE Features
September 19, 2012 By
An acoustic-electric equally at home on stage or in the studio. Solid Solid Sitka Spruce top, Solid Sapele back & sides. Integral Fishman Matrix VT pickup system.
Eastman AC222CE Features
September 19, 2012 By
An acoustic-electric/cutaway version of the AC222. Solid Sitka Spruce top, Rosewood Laminate back & sides. Built-in Fishman Sonitone pickup system.
Eastman AC122CE Features
September 19, 2012 By
An acoustic-electric/cutaway version of the AC122. Solid Sitka Spruce top, Sapele Laminate back & sides. Built-in Fishman Sonitone pickup system.
Peerless Tonemaster Standard Features
February 23, 2012 By
A full sized 16″ solid spruce top, solid maple back and sides single cutaway hollow body very reminiscent of the Gretch swing and country guitars featuring two Filtertron pickups and a Bigbsy tailpiece.
Peerless Tonemaster Player Features
February 22, 2012 By
A full sized 16″ single cutaway hollow body very reminiscent of the Gretch swing and country guitars featuring two Filtertron pickups and a Bigbsy tailpiece.
Peerless Tonemaster JH Features
February 22, 2012 By
A 16″ venetian cutaway full hollow body archtop featuring a solid spruce top and three P-90 pickups and a Bigsby tailpiece with the vintage tone found in older Gibson guitars.
Peerless Journeyman Features
February 21, 2012 By
The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.
Peerless Cremona 16V Features
February 19, 2012 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.