Acoustic-electric/cutaway grand auditorium, top of the line. Solid Englemann Spruce top and carved Rosewood back & sides. Integral premium pickup system.
Heritage Sweet 16 AB10507 Translucent Amber Sunburst 2011 Archtop Guitar with case
August 14, 2024 By
The company is going on 35 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf. Sweet 16 Archtops are no longer made and this is a rare opportunity to get a great one!
Peerless Cremona 16 #902086 NOS w OHSC
March 17, 2024 By
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Aria D’Aquisto 16″ New Yorker Jr 2006 Archtop Guitar #603073 w OHSC
October 1, 2023 By
This stunning D’Aquisto instrument has s a deep, punchy tone with clarity and sweetness. This has a medium C/D -shaped neck with a beautiful Ebony fingerboard.
Eastman AC622CE-KOA #M2321548 w/ OHSC
September 28, 2023 By
A hand-crafted acoustic-electric cutaway as versatile as it is beautiful. Solid Koa top, back, & sides with flamed maple binding.
Peerless Cremona 16″ FC Carved Archtop Electric Thinline Jazz Guitar w case
July 5, 2023 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Eastman E10D #110411455 W/ OHSC
May 10, 2023 By
Crafted with the methods used during the Golden Era of American flattop guitars. Solid Adirondack Spruce top with black binding. Solid Mahogany back & sides create the E10D’s warm, round tones.
Eastman E8D #0536 w/ OHSC
May 10, 2023 By
Classic recreation of the great Dreadnoughts of the 30′s & 40′s. Solid Sitka Spruce top with black binding. Solid Rosewood back & sides for brilliantly clear tones.
Eastman AC922CE #0819 w/ OHSC
April 19, 2023 By
Acoustic-electric/cutaway grand auditorium, top of the line. Solid Englemann Spruce top and carved Rosewood back & sides. Integral premium pickup system.
Eastman AC422CE #3089 w/ OHSC
April 18, 2023 By
An acoustic-electric/cutaway version of the AC422. Solid Sitka Spruce top, carved Rosewood back & sides. Integral Fishman Matrix VT pickup system.
Eastman AC622CE #M2221355 w/ OHSC
April 18, 2023 By
A hand-crafted acoustic-electric cutaway as versatile as it is beautiful. Solid Englemann Spruce top with flamed maple binding. Solid, highly-flamed Maple back & sides.
Heritage Sweet 16 Flamed Archtop 1998 Guitar O05102 w original case
December 6, 2022 By
The Heritage company is over 25 years old, it has achieved the status of one of the premier guitar companies in the world today. The greatest Heritage guitars were built by the original owners who established Heritage when leaving Gibson. The Sweet a6 was one of the most popular models due to it small comfortable body, and big tone! Unfortunately the original founders are alll gone, and Heritage now builds very few carved archtops because the skill of building fine archtops isn’t easy to find.
Heritage Sweet 16 Flamed Archtop 2004 Guitar UO5302 w original case
November 27, 2022 By
This Heritge Sweet 16 archtopguitar was owned by a collector and has minimal signs if being played. Original frets with hardly any wear, In fact even better than new, with the hand rubbed custom ebony tailpiece the makes it sound better than most Sweet 16’s that have ever been in our shop.Made during the Golden Era of Heritage guitars. These guitars are no longer made and to have one in this condition, with this play ability and tone is almost impossible to find. The Sweet a6 was one of the most popular models due to it small comfortable body, and big tone!
Aria D’Aquisto 16″ New Yorker Jr 2006 Archtop Guitar #603073 w OHSC
November 25, 2022 By
This stunning D’Aquisto instrument has s a deep, punchy tone with clarity and sweetness. This has a medium C/D -shaped neck with a beautiful Ebony fingerboard.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR #8340 w case
November 25, 2022 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Eastman AC722CE w/ case #4266
November 16, 2022 By
Acoustic-electric/cutaway grand auditorium, top of the line. Solid Englemann Spruce top and carved Rosewood back & sides. Integral premium pickup system.
Eastman AC422CE #5124 New w/ case
November 16, 2022 By
An acoustic-electric/cutaway version of the AC422. Solid Sitka Spruce top, carved Rosewood back & sides. Integral Fishman Matrix VT pickup system.
D’Angelico rare 2010 EXS-1 16″ Archtop Guitar w case
October 3, 2022 By
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. This rare 16″ EXL-1 with a floating pickup was owned by a collector and hardly played and is the first 16″ ever to come through our shop in 25 years. Their design is unique and timeless. Instantly you know it is a D’Angelico.
1980 Ibanez JP20 Joe Pass Hollowbody Archtop Guitar MIJ
November 4, 2021 By
Beautiful rare Ibanez made in Japan, picked out by Joe Pass . 16″ sunburst spruce top, maple back and sides and binding. 25.5″ scale single-piece mahogany neck with ebony fretboard and pearl inlays.
Eastman AC122-2CE-CD #6877
May 5, 2021 By
An acoustic-electric/cutaway version of the AC122. Solid Sitka Spruce top, Sapele Laminate back & sides. Built-in Fishman Sonitone pickup system.
Eastman AC622CE #M2017648
March 17, 2021 By
A hand-crafted acoustic-electric cutaway as versatile as it is beautiful. Solid Englemann Spruce top with flamed maple binding. Solid, highly-flamed Maple back & sides.
Peerless Cremona 16″ FC Carved Archtop Electric Thinline Jazz Guitar w case
November 28, 2020 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Heritage Sweet 16 Blonde Archtop Guitar S31305 w original case
August 17, 2020 By
The Heritage company is over 25 years old, it has achieved the status of one of the premier guitar companies in the world today. The greatest Heritage guitars were built by the original owners who established Heritage when leaving Gibson. The Sweet a6 was one of the most popular models due to it small comfortable body, and big tone! Unfortunately the original founders are alll gone, and Heritage now builds very few carved archtops because the skill of building fine archtops isn’t easy to find.
Peerless Journeyman Archtop Jazz Electric Guitar w case #3018119
March 30, 2020 By
The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.
Peerless Journeyman Archtop Jazz Electric Guitar #3008639 w case
March 26, 2020 By
The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.
Peerless Journeyman Archtop Jazz Electric Guitar w case #3018115
March 26, 2020 By
The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.
Peerless Tonemaster Standard Jazz Guitar w case #3018192
March 11, 2020 By
A full sized 16″ solid spruce top, solid maple back and sides single cutaway hollow body very reminiscent of the Gretch swing and country guitars featuring two Filtertron pickups and a Bigbsy tailpiece.
Peerless Tonemaster Standard Jazz Guitar w case #3018191
March 5, 2020 By
A full sized 16″ solid spruce top, solid maple back and sides single cutaway hollow body very reminiscent of the Gretch swing and country guitars featuring two Filtertron pickups and a Bigbsy tailpiece.
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018389
February 25, 2020 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018285
February 19, 2020 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018286
February 19, 2020 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless Cremona 16″ VC ARCHTOP ELECTRIC GUITAR w case#8332
September 13, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″ VC carved ARCHTOP ELECTRIC GUITAR w case #8331
September 13, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″ VC carved ARCHTOP ELECTRIC GUITAR w case #8333
September 13, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″VC carved ARCHTOP ELECTRIC GUITAR w case #8330
September 13, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″FC Carved ARCHTOP ELECTRIC GUITAR w cse #8337
September 13, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR
September 9, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR #8339
September 9, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR #8335 w case
September 9, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″FC ARCHTOP ELECTRIC GUITAR w case#8336
September 9, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
1980’s Ibanez JP20 Joe Pass Hollowbody Archtop Guitar MIJ
June 15, 2018 By
Beautiful rare Ibanez made in Japan, Joe Pass model from 1980’s, with a 16″ x 2 3/4″ sunburst spruce top, maple back and sides and binding. 25.5″ scale single-piece mahogany neck with ebony fretboard and pearl inlays.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR # 3017947
May 30, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16VC 3017954
May 30, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC Carved ARCHTOP ELECTRIC GUITAR # 3017946
May 26, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16VC 3017955
May 25, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Ruby Cremona 16V Archtop Guitar # 7973
May 25, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR # 3017948
May 23, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR # 3017949 (Copy)
May 23, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Heritage Sweet 16 Blonde Archtop Guitar
May 18, 2017 By
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar #3008764 w case
April 3, 2017 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless CONTESSA 16″ Archtop Jazz Guitar w upgrades #3008540 w case
April 3, 2017 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless Journeyman 3016021 all solid woods Archtop Jazz Electric Guitar w cAse
April 1, 2017 By
The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.
Heritage Johnny Smith Blonde
December 22, 2016 By
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Heritage Johnny Smith “The Rose” Sunburst
December 22, 2016 By
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Heritage Sweet 16 Blonde
December 22, 2016 By
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Heritage Sweet 16 AB10507 Translucent Amber Sunburst 2011 Archtop Guitar with case
December 22, 2016 By
The company is going on 35 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf. Sweet 16 Archtops are no longer made and this is a rare opportunity to get a great one!
Heritage H575 Sunburst 1998
December 22, 2016 By
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
D’Angelico EX-DC Semi Hollow Electric Guitar
November 1, 2016 By
These models are gig ready right out of the box to perform in the most demanding large venues and just as enjoyable when playing alone in your living room or studio.
Eastman AC720 #3537
August 17, 2016 By
Acoustic-electric/cutaway grand auditorium, top of the line. Solid Englemann Spruce top and carved Rosewood back & sides. Integral premium pickup system.
Peerless Electra Blues Country Electric Guitar with Filtertrons and case #9096
August 15, 2016 By
The Electra can be used for all music venues and gives a similar flavor of tones but with Filtron pickups that excel at country and swing. Also works well for playing jazz. When setup with nylon saddles this becomes a wonderful jazz archtop guitar
Peerless Electra Electric Guitar with Filtertrons and case 9036
August 15, 2016 By
The Electra can be used for all music venues and gives a similar flavor of tones but with Filtron pickups that excel at country and swing. Also works well for playing jazz. When setup with nylon saddles this becomes a wonderful jazz archtop guitar
Peerless Electra Electric Blues & Country Rock Guitar #5190
August 12, 2016 By
The Electra can be used for all music venues and gives a similar flavor of tones but with Filtron pickups that excel at country and swing. Also works well for playing jazz. When setup with nylon saddles this becomes a wonderful jazz archtop guitar
Peerless Cremona 16V 9078
August 11, 2016 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Tonemaster Standard Jazz 5380 all solid woods w case
August 3, 2016 By
A full sized 16″ solid spruce top, solid maple back and sides single cutaway hollow body very reminiscent of the Gretch swing and country guitars featuring two Filtertron pickups and a Bigbsy tailpiece.
Peerless Tonemaster Standard Jazz 5379
August 3, 2016 By
A full sized 16″ solid spruce top, solid maple back and sides single cutaway hollow body
Peerless Journeyman #5326
July 28, 2016 By
The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.
Peerless Cremona 16V 6346
July 27, 2016 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16V 9084
July 27, 2016 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16V 9087
July 27, 2016 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16 #9082 NOS
July 27, 2016 By
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Eastman AC420 #9304
June 17, 2016 By
A quality dreadnought for flat picking, fingerstyle and ensemble playing. Solid Sitka Spruce top with Inlaid Abalone rosette. Solid Rosewood back & sides produce clear, bell-like tones.
Eastman AC420
June 17, 2016 By
A quality dreadnought for flat picking, fingerstyle and ensemble playing. Solid Sitka Spruce top with Inlaid Abalone rosette. Solid Rosewood back & sides produce clear, bell-like tones.
Eastman AJ616CE Features
September 22, 2012 By
A warm-sounding 16″ jumbo with rich room-filling tone. Carved Select Spruce top, carved mahogany sides & carved arched back. Integral Fishman Matrix VT pickup system.
Eastman AJ816CE Guitar Features
September 22, 2012 By
A brilliant-sounding 16″ jumbo with tone large and lush Carved Select Spruce top, carved maple sides & carved arched back Integral Fishman Matrix VT pickup system
Eastman E20D Features
September 22, 2012 By
Classic design inspired by the great dreadnoughts of the Golden Era of the 30′s & 40′s. Solid Adirondack Spruce top Herringbone binding. Solid Rosewood back & sides give the E20D clear, bell-like tones.
Eastman E10D Features
September 22, 2012 By
Crafted with the methods used during the Golden Era of American flattop guitars. Solid Adirondack Spruce top with black binding. Solid Mahogany back & sides create the E10D’s warm, round tones.
Eastman E8D Guitar Features
September 22, 2012 By
Classic recreation of the great Dreadnoughts of the 30′s & 40′s. Solid Sitka Spruce top with black binding. Solid Rosewood back & sides for brilliantly clear tones.
Eastman E6D Guitar Features
September 22, 2012 By
A skillfully crafted tribute to the iconic dreadnoughts of the past. Solid Sitka Spruce top with black binding. Solid Mahogany back & sides give the E6D a rich, warm voice.
Eastman AC420 Features
September 22, 2012 By
A quality dreadnought for flat picking, fingerstyle and ensemble playing. Solid Sitka Spruce top with Inlaid Abalone rosette. Solid Rosewood back & sides produce clear, bell-like tones.
Eastman AC420CE Features
September 22, 2012 By
An acoustic-electric/cutaway version of the AC420 Dreadnought. Solid Sitka Spruce top, carved Rosewood back & sides. Integral Fishman Matrix VT pickup system.
Eastman AC320 Features
September 22, 2012 By
A fine dreadnought guitar hand-crafted with skill &: tradition. Solid Sitka Spruce top with 5-ply Ivoroid binding. Solid Sapele back & sides for warm, balanced tones.
Eastman AC320CE Features
September 22, 2012 By
An acoustic-electric/cutaway dreadnought for extended versatility and projection. Solid Sitka Spruce top, Solid Sapele back & sides. Integral Fishman Matrix VT pickup system.
Eastman AC220 Features
September 22, 2012 By
A hand-crafted dreadnought ideal for professionals and amateurs. Solid Sitka Spruce top with Ivoroid binding. Back & sides of Rosewood laminate provides tonal balance and volume.
Eastman AC220CE Features
September 22, 2012 By
An acoustic-electric/cutaway version of the AC220 Dreadnought. Solid Sitka Spruce top, Rosewood laminate back & sides. Integral Fishman Sonitone pickup system.
Eastman AC120CE Features
September 22, 2012 By
An acoustic-electric/cutaway version of the AC120 Dreadnought. Solid Sitka Spruce top, Sapele Laminate back & sides. Built-in Fishman Sonitone pickup system.
Eastman AC120 Features
September 22, 2012 By
A quality dreadnought guitar created using time-honored hand craftmanship. Solid Sitka Spruce top with Ivoroid binding. Sapele Laminate back & sides for a full, warm tone.
Eastman AC722CE Features
September 19, 2012 By
Acoustic-electric/cutaway grand auditorium, top of the line. Solid Englemann Spruce top and carved Rosewood back & sides. Integral premium pickup system.
Eastman AC622CE Features
September 19, 2012 By
A hand-crafted acoustic-electric/cutaway as versatile as it is beautiful. Solid Englemann Spruce top with flamed maple binding. Solid Maple back & sides.
Eastman AC522CE Features
September 19, 2012 By
A premium acoustic-electric for every playing style. Solid Englemann Spruce top, Solid Mahogany back & sides. Integral Fishman Matrix VT pickup system.
Eastman AC422CE Features
September 19, 2012 By
An acoustic-electric/cutaway version of the AC422. Solid Sitka Spruce top, carved Rosewood back & sides. Integral Fishman Matrix VT pickup system.
Eastman AC422 Features
September 19, 2012 By
A quality flattop for flat picking, fingerstyle and ensemble playing. Solid Sitka Spruce top with Inlaid Abalone rosette. Solid Rosewood back & sides produce clear, bell-like tones.
Eastman AC322CE Features
September 19, 2012 By
An acoustic-electric equally at home on stage or in the studio. Solid Solid Sitka Spruce top, Solid Sapele back & sides. Integral Fishman Matrix VT pickup system.
Eastman AC322 Features
September 19, 2012 By
This quality acoustic offers versatility and volume! Solid Sitka Spruce top with 5-ply Ivoroid binding. Solid Sapele back & sides for warm, balanced tones.
Eastman AC222CE Features
September 19, 2012 By
An acoustic-electric/cutaway version of the AC222. Solid Sitka Spruce top, Rosewood Laminate back & sides. Built-in Fishman Sonitone pickup system.
Eastman AC222
September 19, 2012 By
A hand-crafted flattop ideal for many playing styles. Solid Sitka Spruce top with Ivoroid binding. Back & sides of Rosewood laminate provides tonal balance and volume.
Eastman AC122CE Features
September 19, 2012 By
An acoustic-electric/cutaway version of the AC122. Solid Sitka Spruce top, Sapele Laminate back & sides. Built-in Fishman Sonitone pickup system.
Eastman AC122 Features
September 19, 2012 By
A quality acoustic created using time-honored craftsmanship. Solid Sitka Spruce top with Ivoroid binding. Sapele Laminate back & sides for a full, warm tone.
Peerless Tonemaster Standard Features
February 23, 2012 By
A full sized 16″ solid spruce top, solid maple back and sides single cutaway hollow body very reminiscent of the Gretch swing and country guitars featuring two Filtertron pickups and a Bigbsy tailpiece.
Peerless Tonemaster Player Features
February 22, 2012 By
A full sized 16″ single cutaway hollow body very reminiscent of the Gretch swing and country guitars featuring two Filtertron pickups and a Bigbsy tailpiece.
Peerless Tonemaster JH Features
February 22, 2012 By
A 16″ venetian cutaway full hollow body archtop featuring a solid spruce top and three P-90 pickups and a Bigsby tailpiece with the vintage tone found in older Gibson guitars.
Peerless Journeyman Features
February 21, 2012 By
The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.
Peerless Cremona 16V Features
February 19, 2012 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16F Features
February 18, 2012 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Heritage Sweet 16 Features
February 18, 2012 By
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf