The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. This rare 16″ EXL-1 with a floating pickup was owned by a collector and hardly played and is the first 16″ ever to come through our shop in 25 years. Their design is unique and timeless. Instantly you know it is a D’Angelico.
1980 Ibanez JP20 Joe Pass Hollowbody Archtop Guitar MIJ
November 4, 2021 By
Beautiful rare Ibanez made in Japan, picked out by Joe Pass . 16″ sunburst spruce top, maple back and sides and binding. 25.5″ scale single-piece mahogany neck with ebony fretboard and pearl inlays.
Eastman AC122-2CE-CD #6877
May 5, 2021 By
An acoustic-electric/cutaway version of the AC122. Solid Sitka Spruce top, Sapele Laminate back & sides. Built-in Fishman Sonitone pickup system.
Peerless Journeyman Archtop Jazz Electric Guitar w case #3018119
March 30, 2020 By
The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.
Peerless Journeyman Archtop Jazz Electric Guitar w case #3018115
March 26, 2020 By
The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.
Peerless Cremona 16″ VC ARCHTOP ELECTRIC GUITAR w case#8332
September 13, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″ VC carved ARCHTOP ELECTRIC GUITAR w case #8331
September 13, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″ VC carved ARCHTOP ELECTRIC GUITAR w case #8333
September 13, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″FC Carved ARCHTOP ELECTRIC GUITAR w cse #8337
September 13, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR
September 9, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR #8339
September 9, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR #8335 w case
September 9, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″FC ARCHTOP ELECTRIC GUITAR w case#8336
September 9, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
1980’s Ibanez JP20 Joe Pass Hollowbody Archtop Guitar MIJ
June 15, 2018 By
Beautiful rare Ibanez made in Japan, Joe Pass model from 1980’s, with a 16″ x 2 3/4″ sunburst spruce top, maple back and sides and binding. 25.5″ scale single-piece mahogany neck with ebony fretboard and pearl inlays.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR # 3017947
May 30, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16VC 3017954
May 30, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC Carved ARCHTOP ELECTRIC GUITAR # 3017946
May 26, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16VC 3017955
May 25, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Ruby Cremona 16V Archtop Guitar # 7973
May 25, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR # 3017948
May 23, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR # 3017949 (Copy)
May 23, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
D’Angelico EX-DC Semi Hollow Electric Guitar
November 1, 2016 By
These models are gig ready right out of the box to perform in the most demanding large venues and just as enjoyable when playing alone in your living room or studio.
Peerless Electra Blues Country Electric Guitar with Filtertrons and case #9096
August 15, 2016 By
The Electra can be used for all music venues and gives a similar flavor of tones but with Filtron pickups that excel at country and swing. Also works well for playing jazz. When setup with nylon saddles this becomes a wonderful jazz archtop guitar
Peerless Electra Electric Guitar with Filtertrons and case 9036
August 15, 2016 By
The Electra can be used for all music venues and gives a similar flavor of tones but with Filtron pickups that excel at country and swing. Also works well for playing jazz. When setup with nylon saddles this becomes a wonderful jazz archtop guitar
Peerless Electra Electric Blues & Country Rock Guitar #5190
August 12, 2016 By
The Electra can be used for all music venues and gives a similar flavor of tones but with Filtron pickups that excel at country and swing. Also works well for playing jazz. When setup with nylon saddles this becomes a wonderful jazz archtop guitar
Peerless Cremona 16V 9078
August 11, 2016 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Journeyman #5326
July 28, 2016 By
The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.
Peerless Cremona 16V 6346
July 27, 2016 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16V 9084
July 27, 2016 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16V 9087
July 27, 2016 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Eastman AC320 Features
September 22, 2012 By
A fine dreadnought guitar hand-crafted with skill &: tradition. Solid Sitka Spruce top with 5-ply Ivoroid binding. Solid Sapele back & sides for warm, balanced tones.
Eastman AC220 Features
September 22, 2012 By
A hand-crafted dreadnought ideal for professionals and amateurs. Solid Sitka Spruce top with Ivoroid binding. Back & sides of Rosewood laminate provides tonal balance and volume.
Eastman AC220CE Features
September 22, 2012 By
An acoustic-electric/cutaway version of the AC220 Dreadnought. Solid Sitka Spruce top, Rosewood laminate back & sides. Integral Fishman Sonitone pickup system.
Eastman AC120CE Features
September 22, 2012 By
An acoustic-electric/cutaway version of the AC120 Dreadnought. Solid Sitka Spruce top, Sapele Laminate back & sides. Built-in Fishman Sonitone pickup system.
Eastman AC120 Features
September 22, 2012 By
A quality dreadnought guitar created using time-honored hand craftmanship. Solid Sitka Spruce top with Ivoroid binding. Sapele Laminate back & sides for a full, warm tone.
Eastman AC222CE Features
September 19, 2012 By
An acoustic-electric/cutaway version of the AC222. Solid Sitka Spruce top, Rosewood Laminate back & sides. Built-in Fishman Sonitone pickup system.
Eastman AC222
September 19, 2012 By
A hand-crafted flattop ideal for many playing styles. Solid Sitka Spruce top with Ivoroid binding. Back & sides of Rosewood laminate provides tonal balance and volume.
Eastman AC122CE Features
September 19, 2012 By
An acoustic-electric/cutaway version of the AC122. Solid Sitka Spruce top, Sapele Laminate back & sides. Built-in Fishman Sonitone pickup system.
Eastman AC122 Features
September 19, 2012 By
A quality acoustic created using time-honored craftsmanship. Solid Sitka Spruce top with Ivoroid binding. Sapele Laminate back & sides for a full, warm tone.
Peerless Tonemaster Player Features
February 22, 2012 By
A full sized 16″ single cutaway hollow body very reminiscent of the Gretch swing and country guitars featuring two Filtertron pickups and a Bigbsy tailpiece.
Peerless Cremona 16V Features
February 19, 2012 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16F Features
February 18, 2012 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.