This GIBSON L5 CES is in excellent condition and the real deal- one sweet playing guitar with great tone and clarity, great action, and it just sings!
Comes with original case.
400 Archtops in stock - choose don't settle
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This GIBSON L5 CES is in excellent condition and the real deal- one sweet playing guitar with great tone and clarity, great action, and it just sings!
Comes with original case.
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
This GIBSON L5 CES is in excellent condition and the real deal- one sweet playing guitar with great tone and clarity , great action, and it just sings! Comeswith original case..
A 1996 vintage Gibson WES L5 carved archtop is difficult to beat in tone, playability, projection and value! This Blonde L5 is truly special!
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico.
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
This all original non cutaway Super 400 features solid carved-wood construction with a carved spruce top and carved maple back and solid maple sides, and upon its introduction was the largest guitar that theGibson had produced. 18” at the lower bout and 3 3/8” in depth at the rimes. Ebony fretboard with 20 frets joint to the body at the 14th fret and original rosewood bridge
A 1945 Epiphone full hollowbody Deluxe with the extremely desirable 17 3/8″ body, 2 3/4″ depth lightweight feel and delivers great vintage chunky Epiphone 40’s tone, easy playability, great amplified tone without feedback
KNIGHT archtops are very response, with lively acoustic tone and great projection. Very light to hold and comfortable to play. The best combination of an L5 and the best American luthier archtop
KNIGHT archtops are very response, with lively acoustic tone and great projection. Very light to hold and comfortable to play. The best combination of an L5 and the best American luthier archtop
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.The Wizard excels in all types of music blues, rock, swing and jazz.
A vintage Gibson WES L5 carved archtop is difficult to beat in tone, playability, projection and value! This one is truly special!
This all original non cutaway Super 400 features solid carved-wood construction with a carved spruce top and carved maple back and solid maple sides, and upon its introduction was the largest guitar that theGibson had produced. 18” at the lower bout and 3 3/8” in depth at the rimes. Ebony fretboard with 20 frets joint to the body at the 14th fret and original rosewood bridge
Acoustic-electric/cutaway grand auditorium, top of the line. Solid Englemann Spruce top and carved Rosewood back & sides. Integral premium pickup system.
Heritage is now 40 years old, it has achieved the status of one of the premier guitar companies in the world today. This Golden Eagle was made by the luthiers who left Gibson 12 years earlier than this Golden eagle was crafted. It is their flagship archtop guitar line handled by countless vintage shops throughout the world and getting more difficult to find.- See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.The Wizard excels in all types of music blues, rock, swing and jazz.
Heritage is now 40 years old, it has achieved the status of one of the premier guitar companies in the world today. This Golden Eagle was made by the luthiers who left Gibson 12 years earlier than this Golden eagle was crafted. It is their flagship archtop guitar line handled by countless vintage shops throughout the world and getting more difficult to find.- See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico.
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Heritage guitars version of a 2-pickup 25 1/2″ scale jazz guitar; 1-piece Mahogany neck with a 20 fret bound ebony board with mop block inlays, 17″ laminated Maple body with solid Maple 3″ rim.
The company is going on 35 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf. Sweet 16 Archtops are no longer made and this is a rare opportunity to get a great one!
Heritage is now 40 years old, it has achieved the status of one of the premier guitar companies in the world today. This Golden Eagle was made by the luthiers who left Gibson 12 years earlier than this Golden eagle was crafted. It is their flagship archtop guitar line handled by countless vintage shops throughout the world and getting more difficult to find.- See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
The Super V was designed for players seeking the tone and clarity of a Super 400, but with the smaller body of the L5. This offers the best of both with the larger Super 400 headstock and neck, and the smaller 17″ L5 Body. Listen to Bob DeVos playing a Super V https://www.youtube.com/watch?v=L_U___s7lTM
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.The Wizard excels in all types of music blues, rock, swing and jazz.
Roger Borys is one of the original American guitar makers who’s instruments are played all over the globe by the worlds finest musicians. This beautiful 17” guitar show cases most of Rogers talents… Elegant and sleek, sensitive to the touch and thunderous when pushed…
A 1996 vintage Gibson WES L5 carved archtop is difficult to beat in tone, playability, projection and value! This Blonde L5 is truly special!
A vintage Gibson WES L5 carved archtop is difficult to beat in tone, playability, projection and value! This one is truly special!
This GIBSON L5 CES is mint and the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case and COA.
This GIBSON L5 CES is in excellent condition and the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case..
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
I played this Buscarino Nylon at Summer Namm. The bass, clarity, projection and tone was like no other classical over $2000 more than this price, The neck shape is a hybrid one that will satisfy the dedicated Classical Player ad also todays archtop Player. The spruce on this particular Cabaret has wonderful silking giving it […]
This GIBSON L5 CES is mint and the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case and COA.
Heritage is now 40 years old, it has achieved the status of one of the premier guitar companies in the world today. This Golden Eagle was made by the luthiers who left Gibson 12 years earlier than this Golden eagle was crafted. It is their flagship archtop guitar line handled by countless vintage shops throughout the world and getting more difficult to find.- See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
This all original non cutaway Super 400 features solid carved-wood construction with a carved spruce top and carved maple back and solid maple sides, and upon its introduction was the largest guitar that theGibson had produced. 18” at the lower bout and 3 3/8” in depth at the rimes. Ebony fretboard with 20 frets joint to the body at the 14th fret and original rosewood bridge
A vintage carved Epiphone Devon carved archtop is difficult to beat in tone, playability, projection and value!
A 1940’s vintage carved Epiphone cutaway carved archtop is difficult to beat in tone, playability, projection and value!
A 1950’s vintage carved Epiphone cutaway carved archtop is difficult to beat in tone, playability, projection and value!
A vintage carved Epiphone cutaway carved archtop is difficult to beat in tone, playability, projection and value!
I played this Buscarino Nylon at Summer Namm. The bass, clarity, projection and tone was like no other classical over $2000 more than this price, The neck shape is a hybrid one that will satisfy the dedicated Classical Player ad also todays archtop Player. The spruce on this particular Cabaret has wonderful silking giving it […]
A hand-crafted acoustic-electric cutaway as versatile as it is beautiful. Solid Koa top, back, & sides with flamed maple binding.
This all original non cutaway Super 400 features solid carved-wood construction with a carved spruce top and carved maple back and solid maple sides, and upon its introduction was the largest guitar that theGibson had produced. 18” at the lower bout and 3 3/8” in depth at the rimes. Ebony fretboard with 20 frets joint to the body at the 14th fret and original rosewood bridge
This early 1955 ES-150 is a fantastic example of this venerable arch-top Gibson in excellent condition, the model where the Kalamazoo company’s professional-grade line of electric guitars began.
This GIBSON L5 CES is mint and the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case and COA.
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
A vintage carved Epiphone Devon carved archtop is difficult to beat in tone, playability, projection and value!
Crafted with the methods used during the Golden Era of American flattop guitars. Solid Adirondack Spruce top with black binding. Solid Mahogany back & sides create the E10D’s warm, round tones.
Classic recreation of the great Dreadnoughts of the 30′s & 40′s. Solid Sitka Spruce top with black binding. Solid Rosewood back & sides for brilliantly clear tones.
Acoustic-electric/cutaway grand auditorium, top of the line. Solid Englemann Spruce top and carved Rosewood back & sides. Integral premium pickup system.
The D’Angelico model A-1 is a full size 17″ hollowbod originated by the great and only John D’Angelico. Their design is unique and timeless. From the minute you see it and when you hear it, Instantly you know it is a John D’Angelico made by the master in 1936.
An acoustic-electric/cutaway version of the AC422. Solid Sitka Spruce top, carved Rosewood back & sides. Integral Fishman Matrix VT pickup system.
A hand-crafted acoustic-electric cutaway as versatile as it is beautiful. Solid Englemann Spruce top with flamed maple binding. Solid, highly-flamed Maple back & sides.
This all original non cutaway Super 400 features solid carved-wood construction with a carved spruce top and carved maple back and solid maple sides, and upon its introduction was the largest guitar that theGibson had produced. 18” at the lower bout and 3 3/8” in depth at the rimes. Ebony fretboard with 20 frets joint to the body at the 14th fret and original rosewood bridge
This early 1955 ES-150 is a fantastic example of this venerable arch-top Gibson in excellent structural condition, with great tone and playability is part of the Kalamazoo company professional-grade line of electric guitars began.
This GIBSON L5 CES is mint and the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case.
A crisp & articulate jumbo with remarkable sonic projection. Solid Englemann Spruce hand-carved top, Solid Maple back & sides.
The Heritage company is over 25 years old, it has achieved the status of one of the premier guitar companies in the world today. The greatest Heritage guitars were built by the original owners who established Heritage when leaving Gibson. The Sweet a6 was one of the most popular models due to it small comfortable body, and big tone! Unfortunately the original founders are alll gone, and Heritage now builds very few carved archtops because the skill of building fine archtops isn’t easy to find.
The Peerless Cremona 17 has the clarity and warmth, and immediately identifiable sustain found only with a Gibsons Wes L5.
This 1939 Spruce and Walnute Broadway is a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtop ever made. With a Black walnut back and a handcarved, quartersawn bookmatched solid spruce top this archtop produces a tone that is distinctly more brilliant with more warmth than ordinary maple bodies.
This Heritge Sweet 16 archtopguitar was owned by a collector and has minimal signs if being played. Original frets with hardly any wear, In fact even better than new, with the hand rubbed custom ebony tailpiece the makes it sound better than most Sweet 16’s that have ever been in our shop.Made during the Golden Era of Heritage guitars. These guitars are no longer made and to have one in this condition, with this play ability and tone is almost impossible to find. The Sweet a6 was one of the most popular models due to it small comfortable body, and big tone!
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Acoustic-electric/cutaway grand auditorium, top of the line. Solid Englemann Spruce top and carved Rosewood back & sides. Integral premium pickup system.
An acoustic-electric/cutaway version of the AC422. Solid Sitka Spruce top, carved Rosewood back & sides. Integral Fishman Matrix VT pickup system.
This early 1955 ES-150 is a fantastic example of this venerable arch-top Gibson in excellent condition, the model where the Kalamazoo company’s professional-grade line of electric guitars began.
A 1940’s vintage carved Epiphone with professional added cutaway delivers great vintage tone, playability, projection and the chunky Epiphone 40’s tone.
This Customized Wizard Standard offers 3 P 90’s & 3 individual on/off switches that allow you to get almost any tone that you can imagine.
The Wizard excels in all types of music blues, rock, swing and jazz.
The company is going on 35 years old, it has achieved the status of one of the premier guitar companies in the world today. This is a great example of a Golden Eagle from it’s golden era of guitar builders.
A 1940 Masterbuilt carved Blonde Epiphone Deluxe with the extremely desirable 17 3/8″ body, lightweight feel and delivers great vintage chunky Epiphone 40’s tone, easy playability, and great projection especially in a big band venue
Heritage guitars version of a Super 400 -25 1/2″ scale; 20 fret bound ebony board with mop block inlays, 5 piece curl)! mapie neck, head veneer with mop Heritage, 3″ rim, 18″ body, 20 114″body length solid carved multiple white bound spruce top, and solid carved multiple white bound back and curly maple rim, single bound f holes, gold parts, Mad by the same guys who made them for Gibson.
An acoustic-electric/cutaway jumbo 12-string: a “Virtual Orchestra” in your hands!. Master Luthier Carlo Gtreco Jumbo 7 string guitar is amazingly loud when played hard
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
A full sized 17″ single cut away hollow body very reminiscent of the Gretch swing and country guitars featuring Filtertron pickups.
A vintage carved Epiphone cutaway carved archtop is difficult to beat in tone, playability, projection and value!
This Customized Wizard Standard offers 3 P 90’s & 3 individual on/off switches that allow you to get almost any tone that you can imagine.
The Wizard excels in all types of music blues, rock, swing and jazz.
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
An acoustic-electric/cutaway version of the AC122. Solid Sitka Spruce top, Sapele Laminate back & sides. Built-in Fishman Sonitone pickup system.
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.
A hand-crafted acoustic-electric cutaway as versatile as it is beautiful. Solid Englemann Spruce top with flamed maple binding. Solid, highly-flamed Maple back & sides.
A vintage carved Epiphone cutaway carved archtop is difficult to beat in tone, playability, projection and value!
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
The Peerless Cremona 17 has the clarity and warmth, and immediately identifiable sustain found only with a Gibsons Wes L5.
A full sized 17″ single cut away hollow body very reminiscent of the Gretch swing and country guitars featuring Filtertron pickups.
The Heritage company is over 25 years old, it has achieved the status of one of the premier guitar companies in the world today. The greatest Heritage guitars were built by the original owners who established Heritage when leaving Gibson. The Sweet a6 was one of the most popular models due to it small comfortable body, and big tone! Unfortunately the original founders are alll gone, and Heritage now builds very few carved archtops because the skill of building fine archtops isn’t easy to find.
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico.
The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.
The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.
The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.
A full sized 16″ solid spruce top, solid maple back and sides single cutaway hollow body very reminiscent of the Gretch swing and country guitars featuring two Filtertron pickups and a Bigbsy tailpiece.
A full sized 16″ solid spruce top, solid maple back and sides single cutaway hollow body very reminiscent of the Gretch swing and country guitars featuring two Filtertron pickups and a Bigbsy tailpiece.
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
“This Venetian Cutaway Cremona Jazz Guitar was built at 17” at the lower bout. The CREMONA is PEERLESS’ best jazz guitar and features an all carved maple top back and sides, ebony fretboard, pickguard, tailpiece, bridge. Having a carved flame maple top and laminated flame maple back & sides, Cremona is stronger against feedback and […]
A full sized 17″ single cut away hollow body very reminiscent of the Gretch swing and country guitars featuring Filtertron pickups.
A full sized 17″ single cut away hollow body very reminiscent of the Gretch swing and country guitars featuring Filtertron pickups.
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
A full sized 17″ single cut away hollow body very reminiscent of the Gretch swing and country guitars featuring Filtertron pickups.
“This Venetian Cutaway Cremona Jazz Guitar was built at 17” at the lower bout. The CREMONA is PEERLESS’ best jazz guitar and features an all carved maple top back and sides, ebony fretboard, pickguard, tailpiece, bridge. Having a carved flame maple top and laminated flame maple back & sides, Cremona is stronger against feedback and […]
“This Venetian Cutaway Cremona Jazz Guitar was built at 17” at the lower bout. The CREMONA is PEERLESS’ best jazz guitar and features an all carved maple top back and sides, ebony fretboard, pickguard, tailpiece, bridge. Having a carved flame maple top and laminated flame maple back & sides, Cremona is stronger against feedback and […]
“This Venetian Cutaway Cremona Jazz Guitar was built at 17” at the lower bout. The CREMONA is PEERLESS’ best jazz guitar and features an all carved maple top back and sides, ebony fretboard, pickguard, tailpiece, bridge. Having a carved flame maple top and laminated flame maple back & sides, Cremona is stronger against feedback and […]
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Rare 1969 Guild 18″ Artist Award Custom Blonde Archtop Guitar with DeArmond pickup. One of only 5 Guild 18″ Artist Awards made by Carlo Grecco. Impeccable workmanship and adornments. Carved Spruce top with carved Flame maple back and solid maple sides. Great acoustic sound and Clarity with beautiful tone. This Guitar paired with the DeArmond […]
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.The Wizard excels in all types of music blues, rock, swing and jazz.
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.The Wizard excels in all types of music blues, rock, swing and jazz.
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.The Wizard excels in all types of music blues, rock, swing and jazz.
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.The Wizard excels in all types of music blues, rock, swing and jazz.
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico.
Designed for the working musician, the LS-17 is a roadworthy instrument, optimized for amplified playing and priced affordably when compared to its carved siblings.
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Up for sale is a stunning 1969 Gibson 18″ Super 400 Cutaway, no pickup, featuring the thinner profile neck of that era. in original Sunburst finish. The guitar is in excellent overall condition, showing only light play wear. Very flames back, great tome. has three ply back and heel cap binding, a Venetian (soft) cutaway, […]
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.The Wizard excels in all types of music blues, rock, swing and jazz.
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model.
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico. Japan makes the best Re issue
This GIBSON L5 CES is the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case and cloth case cover. Rare wide neck 1.73″ nut and 2.10″ at the 12th fret- excellent tone, playability, projection and value!
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico.
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
The Eastman AR 145 is a blend between a Sadowsky JB and a (discontinued) Benedetto Andy, but with the tone and feel of a\the new Eastman Frank Vignola AR680 in a smaller size.
A vintage carved Epiphone cutaway carved archtop is difficult to beat in tone, playability, projection and value!
A vintage carved Epiphone cutaway carved archtop is difficult to beat in tone, playability, projection and value!
A 1940’s vintage carved Epiphone with professional added cutaway delivers great vintage tone, playability, projection and the chunky Epiphone 40’s tone.
A vintage carved Epiphone cutaway carved archtop is difficult to beat in tone, playability, projection and value!
A vintage carved Epiphone non cutaway carved archtop is difficult to beat in tone, playability, projection and value!
The P7E Event Series Guitar features a Quilted Sapele Top, Mahogany Back and Sides, and a Fishman Pickup System designed exclusively for Parker.
SOLID CEDAR TOP SOLID FLAMED MAPLE BACK FLAMED MAPLE SIDES ROSEWOOD BOUND BODY THIS IS A PARKER EVENT SERIES P8E ACOUSITC ELECTRIC GUITAR WITH FISHMAN PICKUPS- IT HAS A HIGH GLOSS NATURAL FINISH WITH ROSEWOOD BINDING ON THE BODY AND NECK , GOLD FINISH HARDWARE, GOLD GROVER OPEN BACK TUNERS STA-TITE 97 SERIES 14:1 RATIO , IT HAS A SOLID SITKA CEDAR TOP […]
SOLID CEDAR TOP SOLID FLAMED MAPLE BACK FLAMED MAPLE SIDES ROSEWOOD BOUND BODY THIS IS A PARKER EVENT SERIES P8E ACOUSITC ELECTRIC GUITAR WITH FISHMAN PICKUPS- IT HAS A HIGH GLOSS NATURAL FINISH WITH ROSEWOOD BINDING ON THE BODY AND NECK , GOLD FINISH HARDWARE, GOLD GROVER OPEN BACK TUNERS STA-TITE 97 SERIES 14:1 RATIO , IT HAS A SOLID SITKA CEDAR TOP […]
This Blackstoneis a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtops ever made.
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.The Wizard excels in all types of music blues, rock, swing and jazz.
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.The Wizard excels in all types of music blues, rock, swing and jazz.
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine. Great for all venues of music, jazz, rock, swing, blues, jump and pop
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.The Wizard excels in all types of music blues, rock, swing and jazz.
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.The Wizard excels in all types of music blues, rock, swing and jazz.
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.
Binding: Black/White triple with Abalone 1.0 mm Machine Heads: SG38 Diecast Hardware: Gold Wood: Mahogany Fingerboard: Rosewood Scale: 25.5 inches Width at nut: 1.69 inches Nut: Bone Fingerboard Inlays: Tree of Life Abalone Top: Solid Spruce Back and Sides: solid Rosewood Radius: 15.75 inches Bridge: Rosewood Pickguard: Tortoise – See more at: https://www.gbase.com/gear/peerless-pd-75-810030-2012-natural#sthash.mt4EnHI1.dpuf
Peerless Super Jumbo Acoustic with electronic and cutaway. Binding: Black/White triple with Abalone 1.0 mm Machine Heads: SG38 Diecast Hardware: Gold Wood: Mahogany Fingerboard: Rosewood Scale: 25.5 inches Width at nut: 1.69 inches Nut: Bone Fingerboard Inlays: Tree of Life Abalone Top: Solid Spruce Back and Sides: solid Rosewood Radius: 15.75 inches Bridge: Rosewood Pickguard: Tortoise – See more at: https://www.gbase.com/gear/peerless-pd-75-810030-2012-natural#sthash.mt4EnHI1.dpuf
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
The company is going on 35 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf. Sweet 16 Archtops are no longer made and this is a rare opportunity to get a great one!
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico.
These models are gig ready right out of the box to perform in the most demanding large venues and just as enjoyable when playing alone in your living room or studio.
This Triumph is a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtops ever made.
This Triumph is a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtops ever made.
This Broadway is a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtop ever made
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico.
all solid carved woodS. 25 1/2″ scale, bone nut, bone bridge set in an ebony base, ebony tailpiece, BENEDETTO set hum bucker pickup, volume control one the guitar body, 1 3/4″ nut, 2.10″ at 12th fret.
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Roger Borys is one of the original American guitar makers who’s instruments are played all over the globe by the worlds finest musicians. This beautiful 17” guitar show cases most of Rogers talents… Elegant and sleek, sensitive to the touch and thunderous when pushed…
Heritage guitars version of an L5 -25 1/2″ scale; 20 fret bound ebony board with mop block inlays, 5 piece curl)! mapie neck, head veneer with mop Heritage, 3 1/4″ rim, 17″ body, 20 114″body length solid carved multiple white bound spruce top, and solid carved multiple white bound back and curly maple rim, single bound f holes, gold parts,
This Carved 17 Holtz Archtop has a 1.74 nut width 2.18 inches at the 12th fret very comfortable C profile fast neck, no strap button, plays like silk, and is in mint condition. Fabulous guitar
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.
Binding: Black/White triple with Abalone 1.0 mm Machine Heads: SG38 Diecast Hardware: Gold Wood: Mahogany Fingerboard: Rosewood Scale: 25.5 inches Width at nut: 1.69 inches Nut: Bone Fingerboard Inlays: Tree of Life Abalone Top: Solid Spruce Back and Sides: solid Rosewood Radius: 15.75 inches Bridge: Rosewood Pickguard: Tortoise – See more at: https://www.gbase.com/gear/peerless-pd-75-810030-2012-natural#sthash.mt4EnHI1.dpuf
KNIGHT archtops are very response, with lively acoustic tone and great projection. Very light to hold and comfortable to play. The best combination of an L5 and the best American luthier archtop
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.
Acoustic-electric/cutaway grand auditorium, top of the line. Solid Englemann Spruce top and carved Rosewood back & sides. Integral premium pickup system.
A full sized 17″ single cut away hollow body very reminiscent of the Gretch swing and country guitars featuring Filtertron pickups.
A full sized 17″ single cut away hollow body very reminiscent of the Gretch swing and country guitars featuring Filtertron pickups.
The Electra can be used for all music venues and gives a similar flavor of tones but with Filtron pickups that excel at country and swing. Also works well for playing jazz. When setup with nylon saddles this becomes a wonderful jazz archtop guitar
The Electra can be used for all music venues and gives a similar flavor of tones but with Filtron pickups that excel at country and swing. Also works well for playing jazz. When setup with nylon saddles this becomes a wonderful jazz archtop guitar
The Electra can be used for all music venues and gives a similar flavor of tones but with Filtron pickups that excel at country and swing. Also works well for playing jazz. When setup with nylon saddles this becomes a wonderful jazz archtop guitar
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
all solid carved wood in the sakashta style arch top guitar. 25 1/2″ scale, bone nut, bone bridge set in an ebony base, ebony tailpiece, Bartolini set hum bucker pickup, volume control one the guitar body, 1 3/4″ nut, 2.10″ at 12th fret. It features a very full neck 1.06″ thickness at the 1st -12 frets
Peerless Acoustic Dreadnaught Guitar- Binding: Black/White triple with Abalone 1.0 mm Machine Heads: SG38 Diecast Hardware: Gold Wood: Mahogany Fingerboard: Rosewood Scale: 25.5 inches Width at nut: 1.69 inches Nut: Bone Fingerboard Inlays: Tree of Life Abalone Top: Solid Spruce Back and Sides: solid Rosewood Radius: 15.75 inches Bridge: Rosewood Pickguard: Tortoise – See more at: https://www.gbase.com/gear/peerless-pd-75-810030-2012-natural#sthash.mt4EnHI1.dpuf
Peerless Acoustic Dreadnaught – Binding: Black/White triple with Abalone 1.0 mm Machine Heads: SG38 Diecast Hardware: Gold Wood: Mahogany Fingerboard: Rosewood Scale: 25.5 inches Width at nut: 1.69 inches Nut: Bone Fingerboard Inlays: Tree of Life Abalone Top: Solid Spruce Back and Sides: solid Rosewood Radius: 15.75 inches Bridge: Rosewood Pickguard: Tortoise – See more at: https://www.gbase.com/gear/peerless-pd-75-810030-2012-natural#sthash.mt4EnHI1.dpuf
Peerless Acoustic Drednaught- Binding: Black/White triple with Abalone 1.0 mm Machine Heads: SG38 Diecast Hardware: Gold Wood: Mahogany Fingerboard: Rosewood Scale: 25.5 inches Width at nut: 1.69 inches Nut: Bone Fingerboard Inlays: Tree of Life Abalone Top: Solid Spruce Back and Sides: solid Rosewood Radius: 15.75 inches Bridge: Rosewood Pickguard: Tortoise – See more at: https://www.gbase.com/gear/peerless-pd-75-810030-2012-natural#sthash.mt4EnHI1.dpuf
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.
A full sized 17″ single cut away hollow body very reminiscent of the Gretch swing and country guitars featuring Filtertron pickups.
A full sized 16″ solid spruce top, solid maple back and sides single cutaway hollow body very reminiscent of the Gretch swing and country guitars featuring two Filtertron pickups and a Bigbsy tailpiece.
The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico.
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico.
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico.
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico.
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico.
A crisp & articulate jumbo with remarkable sonic projection. Solid Englemann Spruce hand-carved top, Solid Maple back & sides. Integral Fishman Matrix VT pickup system.
A quality dreadnought for flat picking, fingerstyle and ensemble playing. Solid Sitka Spruce top with Inlaid Abalone rosette. Solid Rosewood back & sides produce clear, bell-like tones.
A quality dreadnought for flat picking, fingerstyle and ensemble playing. Solid Sitka Spruce top with Inlaid Abalone rosette. Solid Rosewood back & sides produce clear, bell-like tones.
This Broadway is a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtop ever made
Montgomery’s talents have inspired a generation of guitarists, but his guitar and legend lives on in the Wes Montgomery L-5CES from Gibson Custom. The guitar is available in Vintage Sunburst, Wine Red, Natural and Ebony finishes,
The Wizard offers 2 set Humbuckers that allow you to get almost any tone that you can imagine. Completely hollow thin body, feedback resistant, great for all types of music.
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico.
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico.
A crisp & articulate jumbo with remarkable sonic projection. Solid Englemann Spruce hand-carved top, Solid Maple back & sides. Integral Fishman Matrix VT pickup system.
An acoustic-electric/cutaway jumbo 12-string: a “Virtual Orchestra” in your hands!. Carved Englemann Spruce top and carved Rosewood back & sides. Integral Fishman Matrix VT pickup system.
A warm-sounding 16″ jumbo with rich room-filling tone. Carved Select Spruce top, carved mahogany sides & carved arched back. Integral Fishman Matrix VT pickup system.
A brilliant-sounding 16″ jumbo with tone large and lush Carved Select Spruce top, carved maple sides & carved arched back Integral Fishman Matrix VT pickup system
Classic design inspired by the great dreadnoughts of the Golden Era of the 30′s & 40′s. Solid Adirondack Spruce top Herringbone binding. Solid Rosewood back & sides give the E20D clear, bell-like tones.
Crafted with the methods used during the Golden Era of American flattop guitars. Solid Adirondack Spruce top with black binding. Solid Mahogany back & sides create the E10D’s warm, round tones.
Classic recreation of the great Dreadnoughts of the 30′s & 40′s. Solid Sitka Spruce top with black binding. Solid Rosewood back & sides for brilliantly clear tones.
A skillfully crafted tribute to the iconic dreadnoughts of the past. Solid Sitka Spruce top with black binding. Solid Mahogany back & sides give the E6D a rich, warm voice.
A quality dreadnought for flat picking, fingerstyle and ensemble playing. Solid Sitka Spruce top with Inlaid Abalone rosette. Solid Rosewood back & sides produce clear, bell-like tones.
An acoustic-electric/cutaway version of the AC420 Dreadnought. Solid Sitka Spruce top, carved Rosewood back & sides. Integral Fishman Matrix VT pickup system.
A fine dreadnought guitar hand-crafted with skill &: tradition. Solid Sitka Spruce top with 5-ply Ivoroid binding. Solid Sapele back & sides for warm, balanced tones.
An acoustic-electric/cutaway dreadnought for extended versatility and projection. Solid Sitka Spruce top, Solid Sapele back & sides. Integral Fishman Matrix VT pickup system.
A hand-crafted dreadnought ideal for professionals and amateurs. Solid Sitka Spruce top with Ivoroid binding. Back & sides of Rosewood laminate provides tonal balance and volume.
An acoustic-electric/cutaway version of the AC220 Dreadnought. Solid Sitka Spruce top, Rosewood laminate back & sides. Integral Fishman Sonitone pickup system.
An acoustic-electric/cutaway version of the AC120 Dreadnought. Solid Sitka Spruce top, Sapele Laminate back & sides. Built-in Fishman Sonitone pickup system.
A quality dreadnought guitar created using time-honored hand craftmanship. Solid Sitka Spruce top with Ivoroid binding. Sapele Laminate back & sides for a full, warm tone.
Acoustic-electric/cutaway grand auditorium, top of the line. Solid Englemann Spruce top and carved Rosewood back & sides. Integral premium pickup system.
A hand-crafted acoustic-electric/cutaway as versatile as it is beautiful. Solid Englemann Spruce top with flamed maple binding. Solid Maple back & sides.
A premium acoustic-electric for every playing style. Solid Englemann Spruce top, Solid Mahogany back & sides. Integral Fishman Matrix VT pickup system.
An acoustic-electric/cutaway version of the AC422. Solid Sitka Spruce top, carved Rosewood back & sides. Integral Fishman Matrix VT pickup system.
A quality flattop for flat picking, fingerstyle and ensemble playing. Solid Sitka Spruce top with Inlaid Abalone rosette. Solid Rosewood back & sides produce clear, bell-like tones.
An acoustic-electric equally at home on stage or in the studio. Solid Solid Sitka Spruce top, Solid Sapele back & sides. Integral Fishman Matrix VT pickup system.
This quality acoustic offers versatility and volume! Solid Sitka Spruce top with 5-ply Ivoroid binding. Solid Sapele back & sides for warm, balanced tones.
An acoustic-electric/cutaway version of the AC222. Solid Sitka Spruce top, Rosewood Laminate back & sides. Built-in Fishman Sonitone pickup system.
A hand-crafted flattop ideal for many playing styles. Solid Sitka Spruce top with Ivoroid binding. Back & sides of Rosewood laminate provides tonal balance and volume.
An acoustic-electric/cutaway version of the AC122. Solid Sitka Spruce top, Sapele Laminate back & sides. Built-in Fishman Sonitone pickup system.
A quality acoustic created using time-honored craftsmanship. Solid Sitka Spruce top with Ivoroid binding. Sapele Laminate back & sides for a full, warm tone.
A full sized 16″ solid spruce top, solid maple back and sides single cutaway hollow body very reminiscent of the Gretch swing and country guitars featuring two Filtertron pickups and a Bigbsy tailpiece.
A full sized 16″ single cutaway hollow body very reminiscent of the Gretch swing and country guitars featuring two Filtertron pickups and a Bigbsy tailpiece.
A 16″ venetian cutaway full hollow body archtop featuring a solid spruce top and three P-90 pickups and a Bigsby tailpiece with the vintage tone found in older Gibson guitars.
A full sized 17″ double cutaway solid maple top hollow body very reminiscent of the Gretch swing and country guitars featuring Filtertron pickups.
A full sized 17″ single cut away hollow body very reminiscent of the Gretch swing and country guitars featuring Filtertron pickups.
The Wizard offers 3 P 90’s or 3 set Humbuckers that allow you to get almost any tone that you can imagine.
The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
** DISCONTINUED ** The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico.
2012 Guitars 'n Jazz | Night Sky Technologies