The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
2003 D’Angelico NYL-2 Amber Archtop guitar w/ OHSC
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico.
2006 Heritage Sweet 16 Blonde w/ OHSC
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
1967 Gibson Vintage Super 400C Cutaway Blonde Vintage Archtop Guitar with case (Copy)
This all original non cutaway Super 400 features solid carved-wood construction with a carved spruce top and carved maple back and solid maple sides, and upon its introduction was the largest guitar that theGibson had produced. 18” at the lower bout and 3 3/8” in depth at the rimes. Ebony fretboard with 20 frets joint to the body at the 14th fret and original rosewood bridge
1945 Epiphone Deluxe OHSC Ultimate Performing archtop
A 1945 Epiphone full hollowbody Deluxe with the extremely desirable 17 3/8″ body, 2 3/4″ depth lightweight feel and delivers great vintage chunky Epiphone 40’s tone, easy playability, great amplified tone without feedback
Dick KNIGHT 17″ Carved Archtop Guitar 2 P90’s
KNIGHT archtops are very response, with lively acoustic tone and great projection. Very light to hold and comfortable to play. The best combination of an L5 and the best American luthier archtop
Dick KNIGHT 17″ Carved Archtop Guitar
KNIGHT archtops are very response, with lively acoustic tone and great projection. Very light to hold and comfortable to play. The best combination of an L5 and the best American luthier archtop
Gibson 2011 Wes Montgomery L5 CES Custom Archtop HOLD Jazz Guitar
A vintage Gibson WES L5 carved archtop is difficult to beat in tone, playability, projection and value! This one is truly special!
1967 Gibson Vintage Super 400C Cutaway Blonde Vintage Archtop Guitar with case
This all original non cutaway Super 400 features solid carved-wood construction with a carved spruce top and carved maple back and solid maple sides, and upon its introduction was the largest guitar that theGibson had produced. 18” at the lower bout and 3 3/8” in depth at the rimes. Ebony fretboard with 20 frets joint to the body at the 14th fret and original rosewood bridge
Eastman AC722CE-DF (Dakota Fade) w/ OHSC #M2201935
Acoustic-electric/cutaway grand auditorium, top of the line. Solid Englemann Spruce top and carved Rosewood back & sides. Integral premium pickup system.
Heritage 2001 Golden Eagle Blonde Archtop Guitar w OHSC Huge acoustic tone!
Heritage is now 40 years old, it has achieved the status of one of the premier guitar companies in the world today. This Golden Eagle was made by the luthiers who left Gibson 12 years earlier than this Golden eagle was crafted. It is their flagship archtop guitar line handled by countless vintage shops throughout the world and getting more difficult to find.- See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Heritage 2008 Golden Eagle Blonde Archtop Guitar w OHSC- Sale end 12/24/2024-
Heritage is now 40 years old, it has achieved the status of one of the premier guitar companies in the world today. This Golden Eagle was made by the luthiers who left Gibson 12 years earlier than this Golden eagle was crafted. It is their flagship archtop guitar line handled by countless vintage shops throughout the world and getting more difficult to find.- See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Gibson Vintage 1998 Custom Tal Farlow Archtop Jazz Guitar
1998 Gibson Tal Farlow Great neck, wide fingerboard, plays like a dream!
2001 D’Angelico NYL-2 Sunburst Archtop guitar w/ OHSC
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico.
Peerless Cremona 17VC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3017977
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
2014 Heritage H-550 17″ Archtop Jazz Guitar w/ hard case
Heritage guitars version of a 2-pickup 25 1/2″ scale jazz guitar; 1-piece Mahogany neck with a 20 fret bound ebony board with mop block inlays, 17″ laminated Maple body with solid Maple 3″ rim.
Heritage Sweet 16 AB10507 Translucent Amber Sunburst 2011 Archtop Guitar with case
The company is going on 35 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf. Sweet 16 Archtops are no longer made and this is a rare opportunity to get a great one!
Heritage 2002 Golden Eagle Classic Sunburst Archtop Guitar
Heritage is now 40 years old, it has achieved the status of one of the premier guitar companies in the world today. This Golden Eagle was made by the luthiers who left Gibson 12 years earlier than this Golden eagle was crafted. It is their flagship archtop guitar line handled by countless vintage shops throughout the world and getting more difficult to find.- See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Gibson SUPER V CESN Blonde “Master model” Archtop Guitar -L5 body with a Super 400 neck- OHSC
The Super V was designed for players seeking the tone and clarity of a Super 400, but with the smaller body of the L5. This offers the best of both with the larger Super 400 headstock and neck, and the smaller 17″ L5 Body. Listen to Bob DeVos playing a Super V https://www.youtube.com/watch?v=L_U___s7lTM
BORYS B420 17″ Carved Archtop 1996 Guitar with pickup
Roger Borys is one of the original American guitar makers who’s instruments are played all over the globe by the worlds finest musicians. This beautiful 17” guitar show cases most of Rogers talents… Elegant and sleek, sensitive to the touch and thunderous when pushed…
Gibson 1996 Blonde Wes Montgomery L5 CES Custom Archtop Jazz Guitar w OHSC
A 1996 vintage Gibson WES L5 carved archtop is difficult to beat in tone, playability, projection and value! This Blonde L5 is truly special!
Gibson 2011 Wes Montgomery L5 CES Custom Archtop Jazz Guitar w OHSC
A vintage Gibson WES L5 carved archtop is difficult to beat in tone, playability, projection and value! This one is truly special!
Gibson Vintage 1998 Custom Tal Farlow Archtop Jazz Guitar
1998 Gibson Tal Farlow Great neck, wide fingerboard, plays like a dream!
2013 Gibson L5 CESN Blonde Archtop Jazz Guitar w/ OHSC
This GIBSON L5 CES is mint and the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case and COA.
Gibson Vintage 1995 L5 Custom CES Sunburst Archtop Jazz Guitar w OHSC
This GIBSON L5 CES is in excellent condition and the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case..
Peerless Cremona 16 #902086 NOS w OHSC
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Gibson Vintage 2013 L5 Custom CESN Blonde Archtop Jazz Guitar w OHSC
This GIBSON L5 CES is mint and the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case and COA.
Heritage 1997 Golden Eagle Archtop Guitar
Heritage is now 40 years old, it has achieved the status of one of the premier guitar companies in the world today. This Golden Eagle was made by the luthiers who left Gibson 12 years earlier than this Golden eagle was crafted. It is their flagship archtop guitar line handled by countless vintage shops throughout the world and getting more difficult to find.- See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
1939 Gibson Super 400 Sunburst Vintage Archtop Guitar Reduced price!
This all original non cutaway Super 400 features solid carved-wood construction with a carved spruce top and carved maple back and solid maple sides, and upon its introduction was the largest guitar that theGibson had produced. 18” at the lower bout and 3 3/8” in depth at the rimes. Ebony fretboard with 20 frets joint to the body at the 14th fret and original rosewood bridge
Eastman AC622CE-KOA #M2321548 w/ OHSC
A hand-crafted acoustic-electric cutaway as versatile as it is beautiful. Solid Koa top, back, & sides with flamed maple binding.
1967 Gibson Vintage Super 400C Cutaway Blonde Vintage Archtop Guitar with case
This all original non cutaway Super 400 features solid carved-wood construction with a carved spruce top and carved maple back and solid maple sides, and upon its introduction was the largest guitar that theGibson had produced. 18” at the lower bout and 3 3/8” in depth at the rimes. Ebony fretboard with 20 frets joint to the body at the 14th fret and original rosewood bridge
Gibson Vintage 2013 L5 Custom CESN Blonde Archtop Jazz Guitar
This GIBSON L5 CES is mint and the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case and COA.
Peerless Cremona 16″ FC Carved Archtop Electric Thinline Jazz Guitar w case
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Eastman E10D #110411455 W/ OHSC
Crafted with the methods used during the Golden Era of American flattop guitars. Solid Adirondack Spruce top with black binding. Solid Mahogany back & sides create the E10D’s warm, round tones.
Eastman AC922CE #0819 w/ OHSC
Acoustic-electric/cutaway grand auditorium, top of the line. Solid Englemann Spruce top and carved Rosewood back & sides. Integral premium pickup system.
John D’Angelico Style A 1942 Original Archtop Guitar
The D’Angelico model A-1 is a full size 17″ hollowbod originated by the great and only John D’Angelico. Their design is unique and timeless. From the minute you see it and when you hear it, Instantly you know it is a John D’Angelico made by the master in 1936.
Eastman AC422CE #3089 w/ OHSC
An acoustic-electric/cutaway version of the AC422. Solid Sitka Spruce top, carved Rosewood back & sides. Integral Fishman Matrix VT pickup system.
Eastman AC622CE #M2221355 w/ OHSC
A hand-crafted acoustic-electric cutaway as versatile as it is beautiful. Solid Englemann Spruce top with flamed maple binding. Solid, highly-flamed Maple back & sides.
1939 Gibson Super 400 Sunburst Vintage Archtop Guitar
This all original non cutaway Super 400 features solid carved-wood construction with a carved spruce top and carved maple back and solid maple sides, and upon its introduction was the largest guitar that theGibson had produced. 18” at the lower bout and 3 3/8” in depth at the rimes. Ebony fretboard with 20 frets joint to the body at the 14th fret and original rosewood bridge
Gibson Vintage 2013 Mint L5 Custom CES Natural Blonde Archtop Jazz Guitar
This GIBSON L5 CES is mint and the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case.
Eastman AC630-BD #6275 w/ Original hard shell case
A crisp & articulate jumbo with remarkable sonic projection. Solid Englemann Spruce hand-carved top, Solid Maple back & sides.
Heritage Sweet 16 Flamed Archtop 2006 Guitar W35701 w/ original case
The Heritage company is over 25 years old, it has achieved the status of one of the premier guitar companies in the world today. The greatest Heritage guitars were built by the original owners who established Heritage when leaving Gibson. The Sweet a6 was one of the most popular models due to it small comfortable body, and big tone! Unfortunately the original founders are alll gone, and Heritage now builds very few carved archtops because the skill of building fine archtops isn’t easy to find.
Peerless Cremona 17VC ARCHTOP ELECTRIC JAZZ GUITAR w case #2026
The Peerless Cremona 17 has the clarity and warmth, and immediately identifiable sustain found only with a Gibsons Wes L5.
1939 Epiphone Vintage 17″ Broadway Archtop Guitar- Rare Walnut Back and sides
This 1939 Spruce and Walnute Broadway is a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtop ever made. With a Black walnut back and a handcarved, quartersawn bookmatched solid spruce top this archtop produces a tone that is distinctly more brilliant with more warmth than ordinary maple bodies.
Heritage Sweet 16 Flamed Archtop 2004 Guitar UO5302 w original case
This Heritge Sweet 16 archtopguitar was owned by a collector and has minimal signs if being played. Original frets with hardly any wear, In fact even better than new, with the hand rubbed custom ebony tailpiece the makes it sound better than most Sweet 16’s that have ever been in our shop.Made during the Golden Era of Heritage guitars. These guitars are no longer made and to have one in this condition, with this play ability and tone is almost impossible to find. The Sweet a6 was one of the most popular models due to it small comfortable body, and big tone!
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR #8340 w case
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Eastman AC722CE w/ case #4266
Acoustic-electric/cutaway grand auditorium, top of the line. Solid Englemann Spruce top and carved Rosewood back & sides. Integral premium pickup system.
Eastman AC422CE #5124 New w/ case
An acoustic-electric/cutaway version of the AC422. Solid Sitka Spruce top, carved Rosewood back & sides. Integral Fishman Matrix VT pickup system.
Heritage 1993 Blonde Golden Eagle Archtop Guitar w KA hand wound Floating full size Humbucker
The company is going on 35 years old, it has achieved the status of one of the premier guitar companies in the world today. This is a great example of a Golden Eagle from it’s golden era of guitar builders.
1940 Masterbuilt Blonde Epiphone Deluxe OHSC #15352
A 1940 Masterbuilt carved Blonde Epiphone Deluxe with the extremely desirable 17 3/8″ body, lightweight feel and delivers great vintage chunky Epiphone 40’s tone, easy playability, and great projection especially in a big band venue
1969 Gibson Super 400 Sunburst Vintage Carved Archtop Guitar w OHSC Near mint
Vintage Gibsons Super 400 Acoustic Archtop
Heritage 1996 Blonde Super Eagle Archtop Jazz Guitar
Heritage guitars version of a Super 400 -25 1/2″ scale; 20 fret bound ebony board with mop block inlays, 5 piece curl)! mapie neck, head veneer with mop Heritage, 3″ rim, 18″ body, 20 114″body length solid carved multiple white bound spruce top, and solid carved multiple white bound back and curly maple rim, single bound f holes, gold parts, Mad by the same guys who made them for Gibson.
Carlo Greco Master Luthier 18″ Acoustic Jumbo-7 Guitar
An acoustic-electric/cutaway jumbo 12-string: a “Virtual Orchestra” in your hands!. Master Luthier Carlo Gtreco Jumbo 7 string guitar is amazingly loud when played hard
Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3018169
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
1969 Gibson Super 400 Sunburst Vintage Carved Archtop Guitar
Vintage Gibsons Super 400 Acoustic Archtop
Peerless Cremona 17VC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3018175
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Eastman AC622CE #M2017648
A hand-crafted acoustic-electric cutaway as versatile as it is beautiful. Solid Englemann Spruce top with flamed maple binding. Solid, highly-flamed Maple back & sides.
Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar #8346 w case
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Peerless Cremona 17VC-CES 2 Set Humbucker Carved Archtop Electric Guitar #8341 w case
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Peerless Cremona 17″x 2.5″ CES 2 HB Carved FC Archtop Electric Guitar #8347 w case
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Peerless Cremona 16″ FC Carved Archtop Electric Thinline Jazz Guitar w case
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 17″Carved Electric Archtop Guitar FC w case #8344
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Peerless Cremona 17VC ARCHTOP ELECTRIC JAZZ GUITAR w case #8387
The Peerless Cremona 17 has the clarity and warmth, and immediately identifiable sustain found only with a Gibsons Wes L5.
Heritage Sweet 16 Blonde Archtop Guitar S31305 w original case
The Heritage company is over 25 years old, it has achieved the status of one of the premier guitar companies in the world today. The greatest Heritage guitars were built by the original owners who established Heritage when leaving Gibson. The Sweet a6 was one of the most popular models due to it small comfortable body, and big tone! Unfortunately the original founders are alll gone, and Heritage now builds very few carved archtops because the skill of building fine archtops isn’t easy to find.
Gibson Wes Montgomery L5 CES Custom Archtop Jazz Guitar w OHSC
A vintage Gibson L5 carved archtop is difficult to beat in tone, playability, projection and value!
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018389
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless Cremona 17VC ARCHTOP ELECTRIC GUITAR w case #8384
“This Venetian Cutaway Cremona Jazz Guitar was built at 17” at the lower bout. The CREMONA is PEERLESS’ best jazz guitar and features an all carved maple top back and sides, ebony fretboard, pickguard, tailpiece, bridge. Having a carved flame maple top and laminated flame maple back & sides, Cremona is stronger against feedback and […]
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018285
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018286
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless Cremona 17VC ARCHTOP ELECTRIC GUITAR w case #8386
“This Venetian Cutaway Cremona Jazz Guitar was built at 17” at the lower bout. The CREMONA is PEERLESS’ best jazz guitar and features an all carved maple top back and sides, ebony fretboard, pickguard, tailpiece, bridge. Having a carved flame maple top and laminated flame maple back & sides, Cremona is stronger against feedback and […]
Peerless Cremona 17VC ARCHTOP ELECTRIC GUITAR #8141
“This Venetian Cutaway Cremona Jazz Guitar was built at 17” at the lower bout. The CREMONA is PEERLESS’ best jazz guitar and features an all carved maple top back and sides, ebony fretboard, pickguard, tailpiece, bridge. Having a carved flame maple top and laminated flame maple back & sides, Cremona is stronger against feedback and […]
Peerless Cremona 17VC ARCHTOP ELECTRIC GUITAR w case #8388
“This Venetian Cutaway Cremona Jazz Guitar was built at 17” at the lower bout. The CREMONA is PEERLESS’ best jazz guitar and features an all carved maple top back and sides, ebony fretboard, pickguard, tailpiece, bridge. Having a carved flame maple top and laminated flame maple back & sides, Cremona is stronger against feedback and […]
Peerless Cremona 16″ VC ARCHTOP ELECTRIC GUITAR w case#8332
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″ VC carved ARCHTOP ELECTRIC GUITAR w case #8331
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″ VC carved ARCHTOP ELECTRIC GUITAR w case #8333
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″VC carved ARCHTOP ELECTRIC GUITAR w case #8330
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″FC Carved ARCHTOP ELECTRIC GUITAR w cse #8337
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona Carved 17″ FC Archtop Guitar w case #8345
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Peerless Cremona 17 FC Carved Archtop Guitar w case#8350
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Peerless Cremona 17 FC Carved Archtop Guitar #8348 w case
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Peerless Cremona 17VC-CES 2 Set Humbucker Carved Archtop Electric Guitar #8334 w case
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR #8339
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR #8335 w case
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″FC ARCHTOP ELECTRIC GUITAR w case#8336
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
2017 Gibson Wes Montgomery L5 CES Custom Archtop Jazz Guitar
A vintage Gibson L5 carved archtop is difficult to beat in tone, playability, projection and value!
Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar #301879
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3018169
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3018173
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Peerless Cremona 17VC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3018176
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Peerless Cremona 17VC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3018178
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3017977
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3018174
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
2014 LS-17 Sadowsky Archtop Jazz Guitar
Designed for the working musician, the LS-17 is a roadworthy instrument, optimized for amplified playing and priced affordably when compared to its carved siblings.
Peerless Cremona 17 VCr Archtop Jazz Guitar #7952
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Gibson Vintage 1970s L5 CES Archtop Jazz Guitar
A vintage Gibson L5 carved archtop is difficult to beat in tone, playability, projection and value!
1969 Gibson Super 400 Sunburst Vintage Archtop Guitar
Up for sale is a stunning 1969 Gibson 18″ Super 400 Cutaway, no pickup, featuring the thinner profile neck of that era. in original Sunburst finish. The guitar is in excellent overall condition, showing only light play wear. Very flames back, great tome. has three ply back and heel cap binding, a Venetian (soft) cutaway, […]
Peerless Cremona 17F-CES 2 SET HUMBUCKER ARCHTOP ELECTRIC GUITAR
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model.
palen 7
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico. Japan makes the best Re issue
Gibson Vintage 1964 Custom Tal Farlow Archtop Jazz Guitar
Rare Gibson Tal Farlow archtop is difficult to beat in tone, playability, and value!
Gibson Vintage 1996 L5 Custom CES Archtop Jazz Guitar
This GIBSON L5 CES is the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case and cloth case cover. Rare wide neck 1.73″ nut and 2.10″ at the 12th fret- excellent tone, playability, projection and value!
D.J. Argus AEX Excel Archtop Guitar sunburst
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico.
Gibson Vintage Wes Montgomery L5 CES Archtop Jazz 1998 Guitar
A vintage Gibson L5 carved archtop is difficult to beat in tone, playability, projection and value!
Heritage 1996 Golden Eagle Archtop Guitar
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Eastman AR145 Archtop Jazz 13″ Guitar#0283
The Eastman AR 145 is a blend between a Sadowsky JB and a (discontinued) Benedetto Andy, but with the tone and feel of a\the new Eastman Frank Vignola AR680 in a smaller size.
Parker P7EQS Hollowbody Archtop
The P7E Event Series Guitar features a Quilted Sapele Top, Mahogany Back and Sides, and a Fishman Pickup System designed exclusively for Parker.
Parker P8EN Hollowbody Archtop 2816
SOLID CEDAR TOP SOLID FLAMED MAPLE BACK FLAMED MAPLE SIDES ROSEWOOD BOUND BODY THIS IS A PARKER EVENT SERIES P8E ACOUSITC ELECTRIC GUITAR WITH FISHMAN PICKUPS- IT HAS A HIGH GLOSS NATURAL FINISH WITH ROSEWOOD BINDING ON THE BODY AND NECK , GOLD FINISH HARDWARE, GOLD GROVER OPEN BACK TUNERS STA-TITE 97 SERIES 14:1 RATIO , IT HAS A SOLID SITKA CEDAR TOP […]
Parker P8EN Hollowbody Archtop
SOLID CEDAR TOP SOLID FLAMED MAPLE BACK FLAMED MAPLE SIDES ROSEWOOD BOUND BODY THIS IS A PARKER EVENT SERIES P8E ACOUSITC ELECTRIC GUITAR WITH FISHMAN PICKUPS- IT HAS A HIGH GLOSS NATURAL FINISH WITH ROSEWOOD BINDING ON THE BODY AND NECK , GOLD FINISH HARDWARE, GOLD GROVER OPEN BACK TUNERS STA-TITE 97 SERIES 14:1 RATIO , IT HAS A SOLID SITKA CEDAR TOP […]
1947 Epiphone Vintage Blackstone Carved Archtop #56736
This Blackstoneis a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtops ever made.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR # 3017947
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16VC 3017954
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 17 Archtop Jazz Guitar 3017950
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Peerless Cremona 17 Archtop Jazz Guitar 3017951 W case
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Peerless Cremona 16FC Carved ARCHTOP ELECTRIC GUITAR # 3017946
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16VC 3017955
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Ruby Cremona 16V Archtop Guitar # 7973
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR # 3017948
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR # 3017949 (Copy)
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Heritage Sweet 16 Blonde Archtop Guitar
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar #3008764 w case
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless CONTESSA 16″ Archtop Jazz Guitar w upgrades #3008540 w case
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Heritage Johnny Smith Blonde
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Heritage Johnny Smith “The Rose” Sunburst
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Heritage Sweet 16 Blonde
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Heritage Sweet 16 AB10507 Translucent Amber Sunburst 2011 Archtop Guitar with case
The company is going on 35 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf. Sweet 16 Archtops are no longer made and this is a rare opportunity to get a great one!
Heritage H575 Sunburst 1998
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
D’Angelico NYL-2 Sunburst Archtop guitar
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico.
D’Angelico EX-DC Semi Hollow Electric Guitar
These models are gig ready right out of the box to perform in the most demanding large venues and just as enjoyable when playing alone in your living room or studio.
Epiphone Vintage Triumph Regent Carved Archtop 1951
This Triumph is a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtops ever made.
Epiphone Vintage Triumph Regent Carved Archtop 1951
This Triumph is a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtops ever made.
Epiphone Broadway Blonde 1951 *SOLD*
This Broadway is a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtop ever made
John D’Angelico Style B 1944
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico.
Garvey Carved Hollowbody Archtop w Benedetto HB
all solid carved woodS. 25 1/2″ scale, bone nut, bone bridge set in an ebony base, ebony tailpiece, BENEDETTO set hum bucker pickup, volume control one the guitar body, 1 3/4″ nut, 2.10″ at 12th fret.
Heritage 1997 17″ Eagle Classic Archtop Jazz Guitar
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Heritage 1997 Golden Eagle Archtop Guitar
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Gibson Vintage 1971 L5 CES Archtop Jazz Guitar
A vintage Gibson L5 carved archtop is difficult to beat in tone, playability, projection and value!
Gibson Vintage 1974 L5 CES Archtop Jazz Guitar
A vintage Gibson L5 carved archtop is difficult to beat in tone, playability, projection and value!
BORYS 17″ Carved Archtop Guitar model 420
Roger Borys is one of the original American guitar makers who’s instruments are played all over the globe by the worlds finest musicians. This beautiful 17” guitar show cases most of Rogers talents… Elegant and sleek, sensitive to the touch and thunderous when pushed…
Archtop Jazz Guitar Heritage 2006 Henry Johnson L5 Tobacco Sunburst
Heritage guitars version of an L5 -25 1/2″ scale; 20 fret bound ebony board with mop block inlays, 5 piece curl)! mapie neck, head veneer with mop Heritage, 3 1/4″ rim, 17″ body, 20 114″body length solid carved multiple white bound spruce top, and solid carved multiple white bound back and curly maple rim, single bound f holes, gold parts,
Holst 17″ Archtop Jazz Guitar SOLD
This Carved 17 Holtz Archtop has a 1.74 nut width 2.18 inches at the 12th fret very comfortable C profile fast neck, no strap button, plays like silk, and is in mint condition. Fabulous guitar
Dick KNIGHT 17″ Carved Archtop Guitar
KNIGHT archtops are very response, with lively acoustic tone and great projection. Very light to hold and comfortable to play. The best combination of an L5 and the best American luthier archtop
Eastman AC720 #3537
Acoustic-electric/cutaway grand auditorium, top of the line. Solid Englemann Spruce top and carved Rosewood back & sides. Integral premium pickup system.
Peerless Cremona 17 #2026
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Peerless Cremona 16V 9078
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16V 6346
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16V 9084
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16V 9087
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16 #9082 NOS
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Peerless Cremona 17 #9494 Florentine Cutaway Archtop Jazz Guitar
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Peerless Cremona 17 #2126
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Peerless Cremona 17 #2118
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Peerless Cremona 17 #2103
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Peerless Cremona 17 #10104
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Peerless Cremona 17 #2128
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Eastman AC630CE #5336Archtop NOS- mint
A crisp & articulate jumbo with remarkable sonic projection. Solid Englemann Spruce hand-carved top, Solid Maple back & sides. Integral Fishman Matrix VT pickup system.
Eastman AC420 #9304
A quality dreadnought for flat picking, fingerstyle and ensemble playing. Solid Sitka Spruce top with Inlaid Abalone rosette. Solid Rosewood back & sides produce clear, bell-like tones.
Eastman AC420
A quality dreadnought for flat picking, fingerstyle and ensemble playing. Solid Sitka Spruce top with Inlaid Abalone rosette. Solid Rosewood back & sides produce clear, bell-like tones.
Epiphone Broadway 1952
This Broadway is a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtop ever made
Gibson Vintage L5 CESN Archtop
A vintage Gibson carved archtop is difficult to beat in tone, playability, projection and value!
Gibson Wes Montgomery 2001 L5
Montgomery’s talents have inspired a generation of guitarists, but his guitar and legend lives on in the Wes Montgomery L-5CES from Gibson Custom. The guitar is available in Vintage Sunburst, Wine Red, Natural and Ebony finishes,
D’Angelico NYL 2 Archtop
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico.
Eastman AC630CE Guitar Features
A crisp & articulate jumbo with remarkable sonic projection. Solid Englemann Spruce hand-carved top, Solid Maple back & sides. Integral Fishman Matrix VT pickup system.
Eastman AC730-12 Guitar Features
An acoustic-electric/cutaway jumbo 12-string: a “Virtual Orchestra” in your hands!. Carved Englemann Spruce top and carved Rosewood back & sides. Integral Fishman Matrix VT pickup system.
Eastman AJ816CE Guitar Features
A brilliant-sounding 16″ jumbo with tone large and lush Carved Select Spruce top, carved maple sides & carved arched back Integral Fishman Matrix VT pickup system
Eastman E20D Features
Classic design inspired by the great dreadnoughts of the Golden Era of the 30′s & 40′s. Solid Adirondack Spruce top Herringbone binding. Solid Rosewood back & sides give the E20D clear, bell-like tones.
Eastman E10D Features
Crafted with the methods used during the Golden Era of American flattop guitars. Solid Adirondack Spruce top with black binding. Solid Mahogany back & sides create the E10D’s warm, round tones.
Eastman AC420 Features
A quality dreadnought for flat picking, fingerstyle and ensemble playing. Solid Sitka Spruce top with Inlaid Abalone rosette. Solid Rosewood back & sides produce clear, bell-like tones.
Eastman AC420CE Features
An acoustic-electric/cutaway version of the AC420 Dreadnought. Solid Sitka Spruce top, carved Rosewood back & sides. Integral Fishman Matrix VT pickup system.
Eastman AC320CE Features
An acoustic-electric/cutaway dreadnought for extended versatility and projection. Solid Sitka Spruce top, Solid Sapele back & sides. Integral Fishman Matrix VT pickup system.
Eastman AC722CE Features
Acoustic-electric/cutaway grand auditorium, top of the line. Solid Englemann Spruce top and carved Rosewood back & sides. Integral premium pickup system.
Eastman AC622CE Features
A hand-crafted acoustic-electric/cutaway as versatile as it is beautiful. Solid Englemann Spruce top with flamed maple binding. Solid Maple back & sides.
Eastman AC522CE Features
A premium acoustic-electric for every playing style. Solid Englemann Spruce top, Solid Mahogany back & sides. Integral Fishman Matrix VT pickup system.
Eastman AC422CE Features
An acoustic-electric/cutaway version of the AC422. Solid Sitka Spruce top, carved Rosewood back & sides. Integral Fishman Matrix VT pickup system.
Eastman AC422 Features
A quality flattop for flat picking, fingerstyle and ensemble playing. Solid Sitka Spruce top with Inlaid Abalone rosette. Solid Rosewood back & sides produce clear, bell-like tones.
Eastman AC322CE Features
An acoustic-electric equally at home on stage or in the studio. Solid Solid Sitka Spruce top, Solid Sapele back & sides. Integral Fishman Matrix VT pickup system.
Eastman AC322 Features
This quality acoustic offers versatility and volume! Solid Sitka Spruce top with 5-ply Ivoroid binding. Solid Sapele back & sides for warm, balanced tones.
Peerless Cremona Features
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Peerless Cremona 16V Features
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16F Features
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Heritage Sweet 16 Features
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Heritage Super Eagle Features
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Heritage Golden Eagle Features
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Heritage Eagle Classic Features
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf