This GIBSON L5 CES is in excellent condition and the real deal- one sweet playing guitar with great tone and clarity, great action, and it just sings!
Comes with original case.
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This GIBSON L5 CES is in excellent condition and the real deal- one sweet playing guitar with great tone and clarity, great action, and it just sings!
Comes with original case.
This GIBSON L5 CES is in excellent condition and the real deal- one sweet playing guitar with great tone and clarity , great action, and it just sings! Comeswith original case..
A 1996 vintage Gibson WES L5 carved archtop is difficult to beat in tone, playability, projection and value! This Blonde L5 is truly special!
This all original non cutaway Super 400 features solid carved-wood construction with a carved spruce top and carved maple back and solid maple sides, and upon its introduction was the largest guitar that theGibson had produced. 18” at the lower bout and 3 3/8” in depth at the rimes. Ebony fretboard with 20 frets joint to the body at the 14th fret and original rosewood bridge
A 1945 Epiphone full hollowbody Deluxe with the extremely desirable 17 3/8″ body, 2 3/4″ depth lightweight feel and delivers great vintage chunky Epiphone 40’s tone, easy playability, great amplified tone without feedback
KNIGHT archtops are very response, with lively acoustic tone and great projection. Very light to hold and comfortable to play. The best combination of an L5 and the best American luthier archtop
KNIGHT archtops are very response, with lively acoustic tone and great projection. Very light to hold and comfortable to play. The best combination of an L5 and the best American luthier archtop
A vintage Gibson WES L5 carved archtop is difficult to beat in tone, playability, projection and value! This one is truly special!
This all original non cutaway Super 400 features solid carved-wood construction with a carved spruce top and carved maple back and solid maple sides, and upon its introduction was the largest guitar that theGibson had produced. 18” at the lower bout and 3 3/8” in depth at the rimes. Ebony fretboard with 20 frets joint to the body at the 14th fret and original rosewood bridge
Heritage is now 40 years old, it has achieved the status of one of the premier guitar companies in the world today. This Golden Eagle was made by the luthiers who left Gibson 12 years earlier than this Golden eagle was crafted. It is their flagship archtop guitar line handled by countless vintage shops throughout the world and getting more difficult to find.- See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Heritage is now 40 years old, it has achieved the status of one of the premier guitar companies in the world today. This Golden Eagle was made by the luthiers who left Gibson 12 years earlier than this Golden eagle was crafted. It is their flagship archtop guitar line handled by countless vintage shops throughout the world and getting more difficult to find.- See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Heritage guitars version of a 2-pickup 25 1/2″ scale jazz guitar; 1-piece Mahogany neck with a 20 fret bound ebony board with mop block inlays, 17″ laminated Maple body with solid Maple 3″ rim.
Heritage is now 40 years old, it has achieved the status of one of the premier guitar companies in the world today. This Golden Eagle was made by the luthiers who left Gibson 12 years earlier than this Golden eagle was crafted. It is their flagship archtop guitar line handled by countless vintage shops throughout the world and getting more difficult to find.- See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
The Super V was designed for players seeking the tone and clarity of a Super 400, but with the smaller body of the L5. This offers the best of both with the larger Super 400 headstock and neck, and the smaller 17″ L5 Body. Listen to Bob DeVos playing a Super V https://www.youtube.com/watch?v=L_U___s7lTM
Roger Borys is one of the original American guitar makers who’s instruments are played all over the globe by the worlds finest musicians. This beautiful 17” guitar show cases most of Rogers talents… Elegant and sleek, sensitive to the touch and thunderous when pushed…
A 1996 vintage Gibson WES L5 carved archtop is difficult to beat in tone, playability, projection and value! This Blonde L5 is truly special!
A vintage Gibson WES L5 carved archtop is difficult to beat in tone, playability, projection and value! This one is truly special!
This GIBSON L5 CES is mint and the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case and COA.
This GIBSON L5 CES is in excellent condition and the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case..
This GIBSON L5 CES is mint and the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case and COA.
Heritage is now 40 years old, it has achieved the status of one of the premier guitar companies in the world today. This Golden Eagle was made by the luthiers who left Gibson 12 years earlier than this Golden eagle was crafted. It is their flagship archtop guitar line handled by countless vintage shops throughout the world and getting more difficult to find.- See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
This all original non cutaway Super 400 features solid carved-wood construction with a carved spruce top and carved maple back and solid maple sides, and upon its introduction was the largest guitar that theGibson had produced. 18” at the lower bout and 3 3/8” in depth at the rimes. Ebony fretboard with 20 frets joint to the body at the 14th fret and original rosewood bridge
A vintage carved Epiphone Devon carved archtop is difficult to beat in tone, playability, projection and value!
A 1940’s vintage carved Epiphone cutaway carved archtop is difficult to beat in tone, playability, projection and value!
A 1950’s vintage carved Epiphone cutaway carved archtop is difficult to beat in tone, playability, projection and value!
A vintage carved Epiphone cutaway carved archtop is difficult to beat in tone, playability, projection and value!
This all original non cutaway Super 400 features solid carved-wood construction with a carved spruce top and carved maple back and solid maple sides, and upon its introduction was the largest guitar that theGibson had produced. 18” at the lower bout and 3 3/8” in depth at the rimes. Ebony fretboard with 20 frets joint to the body at the 14th fret and original rosewood bridge
This GIBSON L5 CES is mint and the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case and COA.
A vintage carved Epiphone Devon carved archtop is difficult to beat in tone, playability, projection and value!
The D’Angelico model A-1 is a full size 17″ hollowbod originated by the great and only John D’Angelico. Their design is unique and timeless. From the minute you see it and when you hear it, Instantly you know it is a John D’Angelico made by the master in 1936.
This all original non cutaway Super 400 features solid carved-wood construction with a carved spruce top and carved maple back and solid maple sides, and upon its introduction was the largest guitar that theGibson had produced. 18” at the lower bout and 3 3/8” in depth at the rimes. Ebony fretboard with 20 frets joint to the body at the 14th fret and original rosewood bridge
This GIBSON L5 CES is mint and the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case.
The Heritage company is over 25 years old, it has achieved the status of one of the premier guitar companies in the world today. The greatest Heritage guitars were built by the original owners who established Heritage when leaving Gibson. The Sweet a6 was one of the most popular models due to it small comfortable body, and big tone! Unfortunately the original founders are alll gone, and Heritage now builds very few carved archtops because the skill of building fine archtops isn’t easy to find.
This 1939 Spruce and Walnute Broadway is a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtop ever made. With a Black walnut back and a handcarved, quartersawn bookmatched solid spruce top this archtop produces a tone that is distinctly more brilliant with more warmth than ordinary maple bodies.
This Heritge Sweet 16 archtopguitar was owned by a collector and has minimal signs if being played. Original frets with hardly any wear, In fact even better than new, with the hand rubbed custom ebony tailpiece the makes it sound better than most Sweet 16’s that have ever been in our shop.Made during the Golden Era of Heritage guitars. These guitars are no longer made and to have one in this condition, with this play ability and tone is almost impossible to find. The Sweet a6 was one of the most popular models due to it small comfortable body, and big tone!
A 1940’s vintage carved Epiphone with professional added cutaway delivers great vintage tone, playability, projection and the chunky Epiphone 40’s tone.
The company is going on 35 years old, it has achieved the status of one of the premier guitar companies in the world today. This is a great example of a Golden Eagle from it’s golden era of guitar builders.
A 1940 Masterbuilt carved Blonde Epiphone Deluxe with the extremely desirable 17 3/8″ body, lightweight feel and delivers great vintage chunky Epiphone 40’s tone, easy playability, and great projection especially in a big band venue
Heritage guitars version of a Super 400 -25 1/2″ scale; 20 fret bound ebony board with mop block inlays, 5 piece curl)! mapie neck, head veneer with mop Heritage, 3″ rim, 18″ body, 20 114″body length solid carved multiple white bound spruce top, and solid carved multiple white bound back and curly maple rim, single bound f holes, gold parts, Mad by the same guys who made them for Gibson.
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
A vintage carved Epiphone cutaway carved archtop is difficult to beat in tone, playability, projection and value!
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
A vintage carved Epiphone cutaway carved archtop is difficult to beat in tone, playability, projection and value!
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Rare 1969 Guild 18″ Artist Award Custom Blonde Archtop Guitar with DeArmond pickup. One of only 5 Guild 18″ Artist Awards made by Carlo Grecco. Impeccable workmanship and adornments. Carved Spruce top with carved Flame maple back and solid maple sides. Great acoustic sound and Clarity with beautiful tone. This Guitar paired with the DeArmond […]
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Up for sale is a stunning 1969 Gibson 18″ Super 400 Cutaway, no pickup, featuring the thinner profile neck of that era. in original Sunburst finish. The guitar is in excellent overall condition, showing only light play wear. Very flames back, great tome. has three ply back and heel cap binding, a Venetian (soft) cutaway, […]
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model.
This GIBSON L5 CES is the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case and cloth case cover. Rare wide neck 1.73″ nut and 2.10″ at the 12th fret- excellent tone, playability, projection and value!
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
The Eastman AR 145 is a blend between a Sadowsky JB and a (discontinued) Benedetto Andy, but with the tone and feel of a\the new Eastman Frank Vignola AR680 in a smaller size.
A vintage carved Epiphone cutaway carved archtop is difficult to beat in tone, playability, projection and value!
A vintage carved Epiphone cutaway carved archtop is difficult to beat in tone, playability, projection and value!
A 1940’s vintage carved Epiphone with professional added cutaway delivers great vintage tone, playability, projection and the chunky Epiphone 40’s tone.
A vintage carved Epiphone cutaway carved archtop is difficult to beat in tone, playability, projection and value!
A vintage carved Epiphone non cutaway carved archtop is difficult to beat in tone, playability, projection and value!
This Blackstoneis a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtops ever made.
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
This Triumph is a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtops ever made.
This Triumph is a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtops ever made.
This Broadway is a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtop ever made
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico.
all solid carved woodS. 25 1/2″ scale, bone nut, bone bridge set in an ebony base, ebony tailpiece, BENEDETTO set hum bucker pickup, volume control one the guitar body, 1 3/4″ nut, 2.10″ at 12th fret.
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Roger Borys is one of the original American guitar makers who’s instruments are played all over the globe by the worlds finest musicians. This beautiful 17” guitar show cases most of Rogers talents… Elegant and sleek, sensitive to the touch and thunderous when pushed…
Heritage guitars version of an L5 -25 1/2″ scale; 20 fret bound ebony board with mop block inlays, 5 piece curl)! mapie neck, head veneer with mop Heritage, 3 1/4″ rim, 17″ body, 20 114″body length solid carved multiple white bound spruce top, and solid carved multiple white bound back and curly maple rim, single bound f holes, gold parts,
This Carved 17 Holtz Archtop has a 1.74 nut width 2.18 inches at the 12th fret very comfortable C profile fast neck, no strap button, plays like silk, and is in mint condition. Fabulous guitar
KNIGHT archtops are very response, with lively acoustic tone and great projection. Very light to hold and comfortable to play. The best combination of an L5 and the best American luthier archtop
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
all solid carved wood in the sakashta style arch top guitar. 25 1/2″ scale, bone nut, bone bridge set in an ebony base, ebony tailpiece, Bartolini set hum bucker pickup, volume control one the guitar body, 1 3/4″ nut, 2.10″ at 12th fret. It features a very full neck 1.06″ thickness at the 1st -12 frets
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
This Broadway is a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtop ever made
2012 Guitars 'n Jazz | Night Sky Technologies