Peerless Cremona 16FC Carved ARCHTOP ELECTRIC GUITAR # 3017946
Manufacturer | Peerless Guitars |
---|---|
Guitar Type | Archtop Electric, Archtop Hollow Body |
Lower Bout Width | 16″ |
Body Depth | 2.50″ |
Nut Width | 1.69″ |
Fingerboard Scale | 25.50″ |
Pickup Type | 1 Set Humbucker |
Wood Composition | Laminate |
Tonewoods | Maple |
Fretboard | Ebony |
Bridge | Floating |
Finish | Blonde |
Case | Original Peerless Hard Case |
$2,895 $2,450
Out of stock
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Product Description
“This Blonde Florentine Cutaway Cremona Jazz Guitarwas built a little smaller 16″ at the lower bout and a little thinner 2 1/2” at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.” This is a custom model with a florentine cutaway to give better access to the upper notes, and also help reduce feedback by decreasing the area of the top of the guitar.
The CREMONA is PEERLESS’ best jazz guitar and features an all carved maple top back and sides, ebony fretboard, pickguard, tailpiece, bridge. Having a carved flame maple top and laminated flame maple back & sides, Cremona is stronger against feedback and shock which needed to be played with harder sound and bigger volume. It has the acoustic volume of a carved spruce top archtop and the amplified tone that rivals a Gibson Wes L5. It has a special Peerless routed in set humbucker to give that warm smooth velvety tone and the sustain of a Wes L5. Mother of pearl fretboard inlays and bone nut.
Comes with its original Peerless case snd D’Addario strings, and professionally setup by our head luthier Jim Millinchuck who takes care of most of the top NJ Jazz guitarists. Jim has built guitars for Bruce Springsteen and many other famous guitarists.
Headstock | |
Shape | Peerless “Crown” Style |
Inlay | “Cremona” Mother of Pearl |
Truss Rod Cover | Maple Black |
Machine Heads | Grover GH102 with Ebony Knobs |
Body | |
Shape | Arch Top Cutaway |
Top | Carved Solid Flame Maple |
Back & Sides | Laminated Flame Maple |
Body Depth | 61 mm (2.5″) |
Body Width | 406 mm (16″) |
Top Binding | Aged White/Black Triple |
Bridge | Ebony |
Pickguard | Ebony |
Tailpiece | Ebony |
Neck | |
Wood | Maple |
Fingerboard | Ebony |
Scale | 648 mm (25.5″) |
Width at Nut | 43 mm (1.69″) |
Width at the end fret | 57 mm (2.25″) |
Neck Joint | 14 F |
Number of Frets | 20 F |
Fingerboard Inlays | Mother of Pearl |
Nut | Bone |
Electronics | |
Pickups | 1 Humbucker (Epiphone’ 57 Classic Style Alnico-v Magnet) |
Controls | 1 Volume, 1 Tone |
Hardware | Gold |
Strings | Daddario ECG25 |
Finishs | Natural High Gloss |
Peerless guitars deliver amplified tone and performance equivalent to guitars costing 2 to 3 times more! Other guitars may look the same, but once you play a Peerless you will immediately hear the difference and be amazed at the affordability of these fine guitars!
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