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Product Description

D’Angelico NYL-2 Made by Vestax in Japan- 17” lower bout; 25 1/2” Scale; Nut 1 11/16”

This DA features a Solid bookmatched X-braced spruce top; solid maple neck; arched flame maple back and sides; solid ebony fingerboard with pearl slashed-block inlays; seven ply top binding; three ply binding; triple bound back, headstock, fingerboard and f-holes.

Inlaid adjustable compensated rosewood bridge; gold stairstep DA logo tailpiece; multiple bound tortoise art deco pickguard; gold Grover Rotomatic sealed back tuners with Imperial keys. Kent Armstrong Handwound floating single coil pickup with volume, tone controls

Striking art deco designs, stairstep tailpiece to the art deco pickguard and the Chrysler Building truss rod cover, are unmistakably the timeless creation of John D’Angelico. This example is an original Vestax built model, signed by master luthier of the Terada workshop near Nagoya, Japan.

Medium frets are crowned and polished for easy fingering, with smooth low action over the entire fretboard, and gentle D neck profile. The guitar will easily accommodate 11-14 gauge strings. String action is set at 3/64“ to 4/64” at the 12th fret, with no buzzing during normal attack. Original brown faux alligator deluxe arched DA logo plush hardshell case.

EXL-1 Specifications

About D’Angelico

Today´s D´Angelico Guitar is born to perform. We work hard to maintain the exquisite craftsmanship and imaginative techniques learned in the Kenmare Street shop, using only top quality woods and components for each and every one of our models.

We´ve stretched the boundaries of creativity and innovation with bold methods of design and construction: Archtops, Semi-Hollows, Solid-bodies, Flat tops, and Custom-Made. Each D´Angelico is said to have a soul, a personality and a voice.

We are a company owned and managed by musicians, for musicians.

Master luthier John D´Angelico is universally regarded as the finest archtop guitar builder that ever lived. In his Kenmare Street workshop, on New York City´s Lower East Side, he created the first of what would become the standard to which all other guitars would be compared. D´Angelico adapted techniques that had been used for centuries, and then improved these delicate manual processes in order to build the modern instruments demanded by his musician clients. These guitarists often requested special size and structural variations, in the body depth or scale of the neck for example, and that additional features and stylish embellishments are incorporated in the finished design. The marvelous reputation of “D´Angelico-built” guitars quickly spread throughout the musical community, and soon John D´Angelico´s small New York workshop was attracting professional musicians from all over the United States.

During 32 years of production and innovation, the D´Angelico Workshop built 1,164 guitars of exceptional beauty, precision and performance. Although these superb hand-crafted instruments originally sold for prices similar to those of factory-built models, today they are highly collectible, worth many thousands of dollars, and are regularly included in museum and gallery shows as the guitar representative of the high art and design of the Art Deco style.

John D´Angelico was a native New Yorker, and his foremost guitar designs included features in the geometric Art Deco style that was enormously popular in New York at the time, and was widely used for architectural and industrial applications. The signature ziggurat inlay, which appeared on the first New Yorker model headstock, became D´Angelico´s iconic trademark. This “stair-step” motif is actually an Art Deco rendering of the famous New Yorker Hotel. D´Angelico named another of his early models, the Excel, from the New York State slogan, “Excelsior!”

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