The company is going on 35 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf. Sweet 16 Archtops are no longer made and this is a rare opportunity to get a great one!
Heritage Sweet 16 AB10507 Translucent Amber Sunburst 2011 Archtop Guitar with case
August 14, 2024 By
Peerless Cremona 16 #902086 NOS w OHSC
March 17, 2024 By
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Aria D’Aquisto 16″ New Yorker Jr 2006 Archtop Guitar #603073 w OHSC
October 1, 2023 By
This stunning D’Aquisto instrument has s a deep, punchy tone with clarity and sweetness. This has a medium C/D -shaped neck with a beautiful Ebony fingerboard.
Eastman AC622CE-KOA #M2321548 w/ OHSC
September 28, 2023 By
A hand-crafted acoustic-electric cutaway as versatile as it is beautiful. Solid Koa top, back, & sides with flamed maple binding.
Peerless Cremona 16″ FC Carved Archtop Electric Thinline Jazz Guitar w case
July 5, 2023 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Eastman AC622CE #M2221355 w/ OHSC
April 18, 2023 By
A hand-crafted acoustic-electric cutaway as versatile as it is beautiful. Solid Englemann Spruce top with flamed maple binding. Solid, highly-flamed Maple back & sides.
Heritage Sweet 16 Flamed Archtop 1998 Guitar O05102 w original case
December 6, 2022 By
The Heritage company is over 25 years old, it has achieved the status of one of the premier guitar companies in the world today. The greatest Heritage guitars were built by the original owners who established Heritage when leaving Gibson. The Sweet a6 was one of the most popular models due to it small comfortable body, and big tone! Unfortunately the original founders are alll gone, and Heritage now builds very few carved archtops because the skill of building fine archtops isn’t easy to find.
Heritage Sweet 16 Flamed Archtop 2004 Guitar UO5302 w original case
November 27, 2022 By
This Heritge Sweet 16 archtopguitar was owned by a collector and has minimal signs if being played. Original frets with hardly any wear, In fact even better than new, with the hand rubbed custom ebony tailpiece the makes it sound better than most Sweet 16’s that have ever been in our shop.Made during the Golden Era of Heritage guitars. These guitars are no longer made and to have one in this condition, with this play ability and tone is almost impossible to find. The Sweet a6 was one of the most popular models due to it small comfortable body, and big tone!
Aria D’Aquisto 16″ New Yorker Jr 2006 Archtop Guitar #603073 w OHSC
November 25, 2022 By
This stunning D’Aquisto instrument has s a deep, punchy tone with clarity and sweetness. This has a medium C/D -shaped neck with a beautiful Ebony fingerboard.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR #8340 w case
November 25, 2022 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Eastman AC622CE #M2017648
March 17, 2021 By
A hand-crafted acoustic-electric cutaway as versatile as it is beautiful. Solid Englemann Spruce top with flamed maple binding. Solid, highly-flamed Maple back & sides.
Peerless Cremona 16″ FC Carved Archtop Electric Thinline Jazz Guitar w case
November 28, 2020 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Heritage Sweet 16 Blonde Archtop Guitar S31305 w original case
August 17, 2020 By
The Heritage company is over 25 years old, it has achieved the status of one of the premier guitar companies in the world today. The greatest Heritage guitars were built by the original owners who established Heritage when leaving Gibson. The Sweet a6 was one of the most popular models due to it small comfortable body, and big tone! Unfortunately the original founders are alll gone, and Heritage now builds very few carved archtops because the skill of building fine archtops isn’t easy to find.
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018389
February 25, 2020 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018285
February 19, 2020 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018286
February 19, 2020 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless Cremona 16″ VC ARCHTOP ELECTRIC GUITAR w case#8332
September 13, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″ VC carved ARCHTOP ELECTRIC GUITAR w case #8331
September 13, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″ VC carved ARCHTOP ELECTRIC GUITAR w case #8333
September 13, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″VC carved ARCHTOP ELECTRIC GUITAR w case #8330
September 13, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″FC Carved ARCHTOP ELECTRIC GUITAR w cse #8337
September 13, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR
September 9, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR #8339
September 9, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR #8335 w case
September 9, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″FC ARCHTOP ELECTRIC GUITAR w case#8336
September 9, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR # 3017947
May 30, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16VC 3017954
May 30, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC Carved ARCHTOP ELECTRIC GUITAR # 3017946
May 26, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16VC 3017955
May 25, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Ruby Cremona 16V Archtop Guitar # 7973
May 25, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR # 3017948
May 23, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR # 3017949 (Copy)
May 23, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Heritage Sweet 16 Blonde Archtop Guitar
May 18, 2017 By
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar #3008764 w case
April 3, 2017 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless CONTESSA 16″ Archtop Jazz Guitar w upgrades #3008540 w case
April 3, 2017 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Heritage Johnny Smith Blonde
December 22, 2016 By
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Heritage Johnny Smith “The Rose” Sunburst
December 22, 2016 By
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Heritage Sweet 16 Blonde
December 22, 2016 By
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Heritage Sweet 16 AB10507 Translucent Amber Sunburst 2011 Archtop Guitar with case
December 22, 2016 By
The company is going on 35 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf. Sweet 16 Archtops are no longer made and this is a rare opportunity to get a great one!
Heritage H575 Sunburst 1998
December 22, 2016 By
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
D’Angelico EX-DC Semi Hollow Electric Guitar
November 1, 2016 By
These models are gig ready right out of the box to perform in the most demanding large venues and just as enjoyable when playing alone in your living room or studio.
Peerless Cremona 16V 9078
August 11, 2016 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16V 6346
July 27, 2016 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16V 9084
July 27, 2016 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16V 9087
July 27, 2016 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16 #9082 NOS
July 27, 2016 By
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Eastman AJ816CE Guitar Features
September 22, 2012 By
A brilliant-sounding 16″ jumbo with tone large and lush Carved Select Spruce top, carved maple sides & carved arched back Integral Fishman Matrix VT pickup system
Eastman AC622CE Features
September 19, 2012 By
A hand-crafted acoustic-electric/cutaway as versatile as it is beautiful. Solid Englemann Spruce top with flamed maple binding. Solid Maple back & sides.
Peerless Cremona 16V Features
February 19, 2012 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16F Features
February 18, 2012 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Heritage Sweet 16 Features
February 18, 2012 By
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf