2014 Heritage H-550 17″ Archtop Jazz Guitar w/ hard case

Heritage guitars version of a 2-pickup 25 1/2″ scale jazz guitar; 1-piece Mahogany neck with a 20 fret bound ebony board with mop block inlays, 17″ laminated Maple body with solid Maple 3″ rim.

Heritage 2002 Golden Eagle Sunburst Archtop Guitar

Heritage is now 40 years old, it has achieved the status of one of the premier guitar companies in the world today. This Golden Eagle was made by the luthiers who left Gibson 12 years earlier than this Golden eagle was crafted. It is their flagship archtop  guitar line handled by countless vintage shops throughout the world and getting more difficult to find.- See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf

Gibson SUPER V CESN Blonde “Master model” Archtop Guitar -L5 body with a Super 400 neck- OHSC

[embed]https://www.youtube.com/watch?v=L_U___s7lTM[/embed]

The Super V was designed for players seeking the tone and clarity of a Super 400, but with the smaller body of the L5. This offers the best of both with the larger Super 400 headstock and neck, and the smaller 17″ L5 Body. Listen to Bob DeVos playing a Super V https://www.youtube.com/watch?v=L_U___s7lTM

BORYS B420 17″ Carved Archtop 1996 Guitar with pickup

Roger Borys is one of the original American guitar makers who’s instruments are played all over the globe by the worlds finest musicians. This beautiful 17” guitar show cases most of Rogers talents… Elegant and sleek, sensitive to the touch and thunderous when pushed…

Gibson 1996 Blonde Wes Montgomery L5 CES Custom Archtop Jazz Guitar w OHSC

A 1996 vintage Gibson WES L5 carved archtop is difficult to beat in tone, playability, projection and value! This Blonde L5  is truly special!

Gibson 2011 Wes Montgomery L5 CES Custom Archtop Jazz Guitar w OHSC

A vintage Gibson WES L5 carved archtop is difficult to beat in tone, playability, projection and value! This one is truly special!

Gibson Vintage 1995 L5 Custom CES Sunburst Archtop Jazz Guitar w OHSC

This GIBSON L5 CES is in excellent condition  and the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case..

Gibson 1952 Vintage L5CE Sunburst Archtop Guitar #A-12361

Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: This classic fully-hollow single-cutaway design is even better with a Gibson L5 neck.

Gibson Vintage 2013 L5 Custom CESN Blonde Archtop Jazz Guitar w OHSC

This GIBSON L5 CES is mint and the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case and COA.

Heritage 1997 Golden Eagle Archtop Guitar

Heritage is now 40 years old, it has achieved the status of one of the premier guitar companies in the world today. This Golden Eagle was made by the luthiers who left Gibson 12 years earlier than this Golden eagle was crafted. It is their flagship archtop  guitar line handled by countless vintage shops throughout the world and getting more difficult to find.- See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf

PARKER JAZZ SERIES PJ 14 LTD ARCHTOP GUITAR – CARVED SPRUCE & CARVED MAPLE BACK OHSC-Dark L5 Jazz Tone

A Parker J14 carved archtop is difficult to beat in tone, playability, projection and value!

PARKER JAZZ SERIES PJ 14 LTD ARCHTOP GUITAR – CARVED SPRUCE & CARVED MAPLE BACK OHSC-Dark L5 Jazz Tone

A Parker J14 carved archtop is difficult to beat in tone, playability, projection and value!

Gibson Vintage 2013 L5 Custom CESN Blonde Archtop Jazz Guitar

This GIBSON L5 CES is mint and the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case and COA.

Gibson Vintage 2013 Mint L5 Custom CES Natural Blonde Archtop Jazz Guitar

This GIBSON L5 CES is mint and the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case.

1996 Campellone Blonde Deluxe Carved 17″ Archtop Guitar with case

Campellone Deluxe Custom Carved 17″Archtop in near mint condition. Mark builds great archtops and this one must be seriously considered if you are seeking a great archtop guitar.

Heritage Sweet 16 Flamed Archtop 1998 Guitar O05102 w original case

The Heritage  company is over 25 years old, it has achieved the status of one of the premier guitar companies in the world today. The greatest Heritage guitars were built by the original owners who established Heritage when leaving Gibson. The Sweet a6 was one of the most popular models due to it small comfortable body, and big tone! Unfortunately the original founders are alll gone, and Heritage now builds very few carved archtops because the skill of building fine archtops  isn’t easy to find.

1939 Epiphone Vintage 17″ Broadway Archtop Guitar- Rare Walnut Back and sides

This 1939 Spruce and Walnute Broadway is a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtop ever made.  With a Black walnut back and  a handcarved, quartersawn bookmatched solid spruce top this archtop produces a tone that is distinctly more brilliant with more warmth than ordinary maple bodies.

Heritage Sweet 16 Flamed Archtop 2004 Guitar UO5302 w original case

This Heritge Sweet 16 archtopguitar was owned by a collector and has minimal signs if being played. Original frets with hardly any wear,  In fact even better than new, with the hand rubbed custom ebony tailpiece the makes it sound better than most Sweet 16’s that have ever been in our shop.Made during the Golden Era of Heritage guitars.  These guitars are no longer made and to have one in this condition, with this play ability and tone is almost impossible to find. The Sweet a6 was one of the most popular models due to it small comfortable body, and big tone!

1996 Campellone Blonde Deluxe Carved 17″ Archtop Guitar with case

Campellone Deluxe Custom Carved 17″Archtop in near mint condition. Mark builds great archtops and this one must be seriously considered if you are seeking a great archtop guitar.

PARKER JAZZ SERIES PJ 14 LIMITED EDITION ARCHTOP GUITAR – CARVED SPRUCE & CARVED MAPLE BACK

A Parker J14 carved archtop is difficult to beat in tone, playability, projection and value!

Heritage 1993 Blonde Golden Eagle Archtop Guitar w KA hand wound Floating full size Humbucker

The company is going on 35 years old, it has achieved the status of one of the premier guitar companies in the world today. This is a great example of a Golden Eagle from it’s golden era of guitar builders.

1940 Masterbuilt Blonde Epiphone Deluxe OHSC #15352

A 1940 Masterbuilt  carved Blonde Epiphone  Deluxe  with the  extremely desirable 17 3/8″ body, lightweight feel and   delivers great vintage chunky Epiphone 40’s tone, easy playability, and great projection especially in a big band venue

Heritage 1996 Blonde Super Eagle Archtop Jazz Guitar

Heritage guitars version of a Super 400 -25 1/2″ scale; 20 fret bound ebony board with mop block inlays, 5 piece curl)! mapie neck, head veneer with mop Heritage, 3″ rim, 18″ body, 20 114″body length solid carved multiple white bound spruce top, and solid carved multiple white bound back and curly maple rim, single bound f holes, gold parts, Mad by the same guys who made them for Gibson.

Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3018169

This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.

Peerless Cremona 17VC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3018175

This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.

Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar #8346 w case

This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.

Peerless Cremona 17VC-CES 2 Set Humbucker Carved Archtop Electric Guitar #8341 w case

This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.

Peerless Cremona 17″x 2.5″ CES 2 HB Carved FC Archtop Electric Guitar #8347 w case

This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.

Gibson Wes Montgomery L5 CES Custom Archtop Jazz Guitar w OHSC

A vintage Gibson L5 carved archtop is difficult to beat in tone, playability, projection and value!

Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018389

Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.

Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018285

Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.

Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018286

Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.

Peerless Cremona 17VC-CES 2 Set Humbucker Carved Archtop Electric Guitar #8334 w case

This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.

2017 Gibson Wes Montgomery L5 CES Custom Archtop Jazz Guitar

A vintage Gibson L5 carved archtop is difficult to beat in tone, playability, projection and value!

Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar

This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.

Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar #301879

This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.

Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3018169

This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.

Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3018173

This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.

Peerless Cremona 17VC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3018176

This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.

Peerless Cremona 17VC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3018178

This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.

Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3018181

This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.

Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3018174

This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.

Peerless Cremona 17 VCr Archtop Jazz Guitar #7952

The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!

Gibson Vintage 1970s L5 CES Archtop Jazz Guitar

A vintage Gibson L5 carved archtop is difficult to beat in tone, playability, projection and value!

Peerless Cremona 17F-CES 2 SET HUMBUCKER ARCHTOP ELECTRIC GUITAR

This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model.

Gibson Vintage 1996 L5 Custom CES Archtop Jazz Guitar

This GIBSON L5 CES is the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case and cloth case cover. Rare wide neck 1.73″ nut and 2.10″ at the 12th fret- excellent  tone, playability, projection and value!

Gibson Vintage Wes Montgomery L5 CES Archtop Jazz 1998 Guitar

A vintage Gibson L5 carved archtop is difficult to beat in tone, playability, projection and value!

Heritage 1996 Golden Eagle Archtop Guitar

The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf

1947 Epiphone Vintage Blackstone Carved Archtop #56736

This Blackstoneis a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtops ever made.

Peerless Cremona 16VC 3017954

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16VC 3017955

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Ruby Cremona 16V Archtop Guitar # 7973

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless CONTESSA 16″ Carved Archtop Jazz Guitar #3008764 w case

Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.

Peerless CONTESSA 16″ Archtop Jazz Guitar w upgrades #3008540 w case

Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.

Epiphone Vintage Triumph Regent Carved Archtop 1951

This Triumph is a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtops ever made.

Epiphone Vintage Triumph Regent Carved Archtop 1951

This Triumph is a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtops ever made.

Epiphone Broadway Blonde 1951 *SOLD*

This Broadway is a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtop ever made

Heritage 1997 17″ Eagle Classic Archtop Jazz Guitar

The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf

Heritage 1997 Golden Eagle Archtop Guitar

The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf

Gibson Vintage 1971 L5 CES Archtop Jazz Guitar

A vintage Gibson L5 carved archtop is difficult to beat in tone, playability, projection and value!

Gibson Vintage 1974 L5 CES Archtop Jazz Guitar

A vintage Gibson L5 carved archtop is difficult to beat in tone, playability, projection and value!

BORYS 17″ Carved Archtop Guitar model 420

Roger Borys is one of the original American guitar makers who’s instruments are played all over the globe by the worlds finest musicians. This beautiful 17” guitar show cases most of Rogers talents… Elegant and sleek, sensitive to the touch and thunderous when pushed…

Archtop Jazz Guitar Heritage 2006 Henry Johnson L5 Tobacco Sunburst

Heritage guitars version of an L5 -25 1/2″ scale; 20 fret bound ebony board with mop block inlays, 5 piece curl)! mapie neck, head veneer with mop Heritage, 3 1/4″ rim, 17″ body, 20 114″body length solid carved multiple white bound spruce top, and solid carved multiple white bound back and curly maple rim, single bound f holes, gold parts,

Holst 17″ Archtop Jazz Guitar SOLD

This Carved 17 Holtz Archtop has a 1.74 nut width 2.18 inches at the 12th fret very comfortable C profile fast neck, no strap button, plays like silk, and is in mint condition. Fabulous guitar

Gibson SUPER V CESN Blonde Archtop Guitar -L5 body with a Super 400 neck- OHSC

[embed]https://www.youtube.com/watch?v=L_U___s7lTM[/embed]

The Super V was designed for players seeking the tone and clarity of a Super 400, but with the smaller body of the L5. This offers the best of both with the larger Super 400 headstock and neck, and the smaller 17″ L5 Body. Listen to Bob DeVos playing a Super V https://www.youtube.com/watch?v=L_U___s7lTM

Dick KNIGHT 17″ Carved Archtop Guitar

KNIGHT archtops are very response,  with lively acoustic tone and  great projection.  Very light to hold and comfortable to play. The best combination of an L5 and the best American luthier archtop

Peerless Cremona 16V 9078

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16V 6346

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16V 9084

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Guild Artist Award 1966 Archtop Guitar

The best archtop guitars were made in the 1950’s and 1960’s. Guild a 500 archtops were among the finest and had that great vintage tone that you just can’t find in new guitars today.

Guild Artist Award 1977

The best archtop guitars were made in the 1950’s and 1960’s. Guild a 500 archtops were among the finest and had that great vintage tone that you just can’t find in new guitars today.