2014 Heritage H-550 17″ Archtop Jazz Guitar w/ hard case

Heritage guitars version of a 2-pickup 25 1/2″ scale jazz guitar; 1-piece Mahogany neck with a 20 fret bound ebony board with mop block inlays, 17″ laminated Maple body with solid Maple 3″ rim.

Heritage 2002 Golden Eagle Sunburst Archtop Guitar

Heritage is now 40 years old, it has achieved the status of one of the premier guitar companies in the world today. This Golden Eagle was made by the luthiers who left Gibson 12 years earlier than this Golden eagle was crafted. It is their flagship archtop  guitar line handled by countless vintage shops throughout the world and getting more difficult to find.- See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf

Gibson 1996 Blonde Wes Montgomery L5 CES Custom Archtop Jazz Guitar w OHSC

A 1996 vintage Gibson WES L5 carved archtop is difficult to beat in tone, playability, projection and value! This Blonde L5  is truly special!

Gibson 2011 Wes Montgomery L5 CES Custom Archtop Jazz Guitar w OHSC

A vintage Gibson WES L5 carved archtop is difficult to beat in tone, playability, projection and value! This one is truly special!

Gibson 1952 Vintage L5CE Sunburst Archtop Guitar #A-12361

Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: This classic fully-hollow single-cutaway design is even better with a Gibson L5 neck.

Heritage 1997 Golden Eagle Archtop Guitar

Heritage is now 40 years old, it has achieved the status of one of the premier guitar companies in the world today. This Golden Eagle was made by the luthiers who left Gibson 12 years earlier than this Golden eagle was crafted. It is their flagship archtop  guitar line handled by countless vintage shops throughout the world and getting more difficult to find.- See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf

1945 Epiphone Triumph Regent Archtop Jazz Guitar #52798 w Dearmond 1100 vintage pickup

A 1940’s vintage carved Epiphone cutaway carved archtop is difficult to beat in tone, playability, projection and value!

1959 Epiphone Triumph Regent Archtop Jazz Guitar model A412 SN A-2687

A 1950’s vintage carved Epiphone cutaway carved archtop is difficult to beat in tone, playability, projection and value!

1964 Epiphone Triumph Regent Archtop Jazz Guitar #181185

A vintage carved Epiphone cutaway carved archtop is difficult to beat in tone, playability, projection and value!

Heritage 1993 Blonde Golden Eagle Archtop Guitar w KA hand wound Floating full size Humbucker

The company is going on 35 years old, it has achieved the status of one of the premier guitar companies in the world today. This is a great example of a Golden Eagle from it’s golden era of guitar builders.

Heritage 1996 Blonde Super Eagle Archtop Jazz Guitar

Heritage guitars version of a Super 400 -25 1/2″ scale; 20 fret bound ebony board with mop block inlays, 5 piece curl)! mapie neck, head veneer with mop Heritage, 3″ rim, 18″ body, 20 114″body length solid carved multiple white bound spruce top, and solid carved multiple white bound back and curly maple rim, single bound f holes, gold parts, Mad by the same guys who made them for Gibson.

Peerless Cremona 17VC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3018175

This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.

Peerless Cremona 17VC-CES 2 Set Humbucker Carved Archtop Electric Guitar #8341 w case

This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.

Gibson Wes Montgomery L5 CES Custom Archtop Jazz Guitar w OHSC

A vintage Gibson L5 carved archtop is difficult to beat in tone, playability, projection and value!

Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018389

Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.

Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018285

Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.

Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018286

Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.

2017 Gibson Wes Montgomery L5 CES Custom Archtop Jazz Guitar

A vintage Gibson L5 carved archtop is difficult to beat in tone, playability, projection and value!

Peerless Cremona 17VC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3018176

This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.

Peerless Cremona 17 VCr Archtop Jazz Guitar #7952

The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!

Gibson Vintage 1970s L5 CES Archtop Jazz Guitar

A vintage Gibson L5 carved archtop is difficult to beat in tone, playability, projection and value!

Gibson Vintage Wes Montgomery L5 CES Archtop Jazz 1998 Guitar

A vintage Gibson L5 carved archtop is difficult to beat in tone, playability, projection and value!

Heritage 1996 Golden Eagle Archtop Guitar

The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf

1964 Epiphone Triumph Regent Archtop Jazz Guitar #181185

A vintage carved Epiphone cutaway carved archtop is difficult to beat in tone, playability, projection and value!

1947 Epiphone Vintage Blackstone Carved Archtop #56736

This Blackstoneis a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtops ever made.

Peerless Cremona 16VC 3017954

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16VC 3017955

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Ruby Cremona 16V Archtop Guitar # 7973

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless CONTESSA 16″ Carved Archtop Jazz Guitar #3008764 w case

Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.

Peerless CONTESSA 16″ Archtop Jazz Guitar w upgrades #3008540 w case

Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.

Epiphone Vintage Triumph Regent Carved Archtop 1951

This Triumph is a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtops ever made.

Epiphone Vintage Triumph Regent Carved Archtop 1951

This Triumph is a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtops ever made.

Heritage 1997 17″ Eagle Classic Archtop Jazz Guitar

The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf

Heritage 1997 Golden Eagle Archtop Guitar

The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf

Gibson Vintage 1971 L5 CES Archtop Jazz Guitar

A vintage Gibson L5 carved archtop is difficult to beat in tone, playability, projection and value!

Gibson Vintage 1974 L5 CES Archtop Jazz Guitar

A vintage Gibson L5 carved archtop is difficult to beat in tone, playability, projection and value!

Peerless Cremona 16V 9078

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16V 6346

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16V 9084

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Guild Artist Award 1966 Archtop Guitar

The best archtop guitars were made in the 1950’s and 1960’s. Guild a 500 archtops were among the finest and had that great vintage tone that you just can’t find in new guitars today.

Guild Artist Award 1977

The best archtop guitars were made in the 1950’s and 1960’s. Guild a 500 archtops were among the finest and had that great vintage tone that you just can’t find in new guitars today.