Heritage Sweet 16 AB10507 Translucent Amber Sunburst 2011 Archtop Guitar with case

The company is going on 35 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf. Sweet 16 Archtops are  no longer made and this is a rare opportunity to get a great one!

Peerless Cremona 16 #902086 NOS w OHSC

The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!

Aria D’Aquisto 16″ New Yorker Jr 2006 Archtop Guitar #603073 w OHSC

This stunning  D’Aquisto instrument has s a deep, punchy tone with  clarity and sweetness. This has a medium C/D -shaped neck with a beautiful Ebony fingerboard.

Peerless Cremona 16″ FC Carved Archtop Electric Thinline Jazz Guitar w case

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Heritage Sweet 16 Flamed Archtop 1998 Guitar O05102 w original case

The Heritage  company is over 25 years old, it has achieved the status of one of the premier guitar companies in the world today. The greatest Heritage guitars were built by the original owners who established Heritage when leaving Gibson. The Sweet a6 was one of the most popular models due to it small comfortable body, and big tone! Unfortunately the original founders are alll gone, and Heritage now builds very few carved archtops because the skill of building fine archtops  isn’t easy to find.

Heritage Sweet 16 Flamed Archtop 2004 Guitar UO5302 w original case

This Heritge Sweet 16 archtopguitar was owned by a collector and has minimal signs if being played. Original frets with hardly any wear,  In fact even better than new, with the hand rubbed custom ebony tailpiece the makes it sound better than most Sweet 16’s that have ever been in our shop.Made during the Golden Era of Heritage guitars.  These guitars are no longer made and to have one in this condition, with this play ability and tone is almost impossible to find. The Sweet a6 was one of the most popular models due to it small comfortable body, and big tone!

Aria D’Aquisto 16″ New Yorker Jr 2006 Archtop Guitar #603073 w OHSC

This stunning  D’Aquisto instrument has s a deep, punchy tone with  clarity and sweetness. This has a medium C/D -shaped neck with a beautiful Ebony fingerboard.

Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR #8340 w case

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

D’Angelico rare 2010 EXS-1 16″ Archtop Guitar w case

The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. This rare 16″ EXL-1 with a floating pickup was owned by a collector and hardly played and is the first 16″ ever to come through our shop in 25 years. Their design is unique and timeless. Instantly you know it is a D’Angelico.

Peerless Cremona 16″ FC Carved Archtop Electric Thinline Jazz Guitar w case

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Heritage Sweet 16 Blonde Archtop Guitar S31305 w original case

The Heritage  company is over 25 years old, it has achieved the status of one of the premier guitar companies in the world today. The greatest Heritage guitars were built by the original owners who established Heritage when leaving Gibson. The Sweet a6 was one of the most popular models due to it small comfortable body, and big tone! Unfortunately the original founders are alll gone, and Heritage now builds very few carved archtops because the skill of building fine archtops  isn’t easy to find.

Peerless Journeyman Archtop Jazz Electric Guitar w case #3018119

The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.

Peerless Journeyman Archtop Jazz Electric Guitar #3008639 w case

The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.

Peerless Journeyman Archtop Jazz Electric Guitar w case #3018115

The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.

Peerless Tonemaster Standard Jazz Guitar w case #3018192

A full sized 16″ solid spruce top, solid maple back and sides single cutaway hollow body very reminiscent of the Gretch swing and country guitars featuring two Filtertron pickups and a Bigbsy tailpiece.

Peerless Tonemaster Standard Jazz Guitar w case #3018191

A full sized 16″ solid spruce top, solid maple back and sides single cutaway hollow body very reminiscent of the Gretch swing and country guitars featuring two Filtertron pickups and a Bigbsy tailpiece.

Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018389

Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.

Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018285

Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.

Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018286

Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.

Peerless Cremona 16″ VC ARCHTOP ELECTRIC GUITAR w case#8332

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16″ VC carved ARCHTOP ELECTRIC GUITAR w case #8331

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16″ VC carved ARCHTOP ELECTRIC GUITAR w case #8333

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16″VC carved ARCHTOP ELECTRIC GUITAR w case #8330

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16″FC Carved ARCHTOP ELECTRIC GUITAR w cse #8337

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR #8339

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR #8335 w case

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16″FC ARCHTOP ELECTRIC GUITAR w case#8336

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR # 3017947

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16VC 3017954

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16FC Carved ARCHTOP ELECTRIC GUITAR # 3017946

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16VC 3017955

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Ruby Cremona 16V Archtop Guitar # 7973

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR # 3017948

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR # 3017949 (Copy)

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Heritage Sweet 16 Blonde Archtop Guitar

The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf

Peerless CONTESSA 16″ Carved Archtop Jazz Guitar #3008764 w case

Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.

Peerless CONTESSA 16″ Archtop Jazz Guitar w upgrades #3008540 w case

Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.

Peerless Journeyman 3016021 all solid woods Archtop Jazz Electric Guitar w cAse

The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.

Heritage Johnny Smith Blonde

The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf

Heritage Johnny Smith “The Rose” Sunburst

The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf

Heritage Sweet 16 Blonde

The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf

Heritage Sweet 16 AB10507 Translucent Amber Sunburst 2011 Archtop Guitar with case

The company is going on 35 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf. Sweet 16 Archtops are  no longer made and this is a rare opportunity to get a great one!

Heritage H575 Sunburst 1998

The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf

Peerless Cremona 16V 9078

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Tonemaster Standard Jazz 5380 all solid woods w case

A full sized 16″ solid spruce top, solid maple back and sides single cutaway hollow body very reminiscent of the Gretch swing and country guitars featuring two Filtertron pickups and a Bigbsy tailpiece.

Peerless Tonemaster Standard Jazz 5379

A full sized 16″ solid spruce top, solid maple back and sides single cutaway hollow body

Peerless Journeyman #5326

The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.

Peerless Cremona 16V 6346

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16V 9084

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16V 9087

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16 #9082 NOS

The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!

Peerless Tonemaster Standard Features

A full sized 16″ solid spruce top, solid maple back and sides single cutaway hollow body very reminiscent of the Gretch swing and country guitars featuring two Filtertron pickups and a Bigbsy tailpiece.

Peerless Tonemaster Player Features

A full sized 16″ single cutaway hollow body very reminiscent of the Gretch swing and country guitars featuring two Filtertron pickups and a Bigbsy tailpiece.

Peerless Tonemaster JH Features

A 16″ venetian cutaway full hollow body archtop featuring a solid spruce top and three P-90 pickups and a Bigsby tailpiece with the vintage tone found in older Gibson guitars.

Peerless Journeyman Features

The Journeyman is a great hybrid guitar that crosses the bridge from rock, fusion, jazz and whatever you must play. It is all solid woods with 2 set Humbucker pickups.

Peerless Cremona 16V Features

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16F Features

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Heritage Sweet 16 Features

The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: http://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf