The Sadowsky Jim Hall Guitar has an decreased thickness of the top and back to provide a more acoustic response. He reduced the depth of the body to control feedback, designed a new ebony tailpiece with a string ground, and shaped the neck until it felt just right to Jim. This 2008 Sadowsky Jim Hall is the real deal and features a nitrocellulose finish which was later discontinued on this model in favor of polyurethane.
2014 Sadowsky Jim Hall Archtop Jazz Guitar #A1286 Sold
The Sadowsky Jim Hall Guitar has an increased thickness of the top and back to provide a more acoustic response. He reduced the depth of the body to control feedback, designed a new ebony tailpiece with a string ground, and shaped the neck until it felt just right to Jim.
2014 LS-17 Sadowsky Archtop Jazz Guitar
Designed for the working musician, the LS-17 is a roadworthy instrument, optimized for amplified playing and priced affordably when compared to its carved siblings.
2012 Jim Hall Sadowsky Archtop Jazz Guitar
The Sadowsky Jim Hall Guitar has an increased thickness of the top and back to provide a more acoustic response. He reduced the depth of the body to control feedback, designed a new ebony tailpiece with a string ground, and shaped the neck until it felt just right to Jim.
2004 Jim Hall Sadowsky Archtop Jazz Guitar SOLD
The Sadowsky Jim Hall Guitar has an increased thickness of the top and back to provide a more acoustic response. He reduced the depth of the body to control feedback, designed a new ebony tailpiece with a string ground, and shaped the neck until it felt just right to Jim.
2006 Jim Hall SadowskyArchtop Jazz Guitar
The Sadowsky Jim Hall Guitar has an increased thickness of the top and back to provide a more acoustic response. He reduced the depth of the body to control feedback, designed a new ebony tailpiece with a string ground, and shaped the neck until it felt just right to Jim.
2014 Sadowsky Jim Hall Archtop Jazz Guitar #A1286 w/ OHSC
The Sadowsky Jim Hall Guitar has an increased thickness of the top and back to provide a more acoustic response. He reduced the depth of the body to control feedback, designed a new ebony tailpiece with a string ground, and shaped the neck until it felt just right to Jim.