This GIBSON L5 CES is in excellent condition and the real deal- one sweet playing guitar with great tone and clarity, great action, and it just sings!
Comes with original case.
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This GIBSON L5 CES is in excellent condition and the real deal- one sweet playing guitar with great tone and clarity, great action, and it just sings!
Comes with original case.
This GIBSON L5 CES is in excellent condition and the real deal- one sweet playing guitar with great tone and clarity , great action, and it just sings! Comeswith original case..
A 1996 vintage Gibson WES L5 carved archtop is difficult to beat in tone, playability, projection and value! This Blonde L5 is truly special!
Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: This classic fully-hollow single-cutaway design is even better with a Gibson L5 neck.
Here is a completely intact & original 1957 Gibson ES-140T 3/4 Scale in excellent condition. With a short, 22.75″ scale length this guitar is an easy playing jazz & blues machine with archtop tone in a solid body size. Comes with original faux-gator skin Gibson case Single, sharp Florentine cutaway body 12 3/4″ lower bout […]
The Gibson is a trim es175 with a thinner body great for jazz, but made for blues with thinner flamed maple like the es 175 to control feedback only 6.5 pounds.
This all original non cutaway Super 400 features solid carved-wood construction with a carved spruce top and carved maple back and solid maple sides, and upon its introduction was the largest guitar that theGibson had produced. 18” at the lower bout and 3 3/8” in depth at the rimes. Ebony fretboard with 20 frets joint to the body at the 14th fret and original rosewood bridge
A vintage Gibson carved archtop is difficult to beat in tone, playability, projection and value!This L50 with a scale 24 3/4” length and body size as the L-4 and the ES-175 models is easy to hold and fun to play, and allows for faster soloing, and more accurate chording of stretch voicings.
Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: This classic fully-hollow single-cutaway design is even better with a Gibson L5 neck.
Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: This classic fully-hollow single-cutaway design is even better with a Gibson L5 neck.
A vintage Gibson WES L5 carved archtop is difficult to beat in tone, playability, projection and value! This one is truly special!
This all original non cutaway Super 400 features solid carved-wood construction with a carved spruce top and carved maple back and solid maple sides, and upon its introduction was the largest guitar that theGibson had produced. 18” at the lower bout and 3 3/8” in depth at the rimes. Ebony fretboard with 20 frets joint to the body at the 14th fret and original rosewood bridge
1937 Gibson L-37 in player’s grade condition. Repaired grain cracks in top. V-shaped Maple neck Spruce top w/ Maple back & sides Original Sunburst finish Rosewood fretboard, 19-fret 1 3/4″ (1.75″) Nut width 2″ width @ 5th fret 2 3/16″ (2..1875″) width @ 12th fret 10 1/4″ (10.25″) upper bout width 14 3/4″ (14.75″) lower […]
A 1998 Gibson Custom 1963 ES-335 Reissue in excellent condition. Comes with original hardshell case & paperwork.
The Super V was designed for players seeking the tone and clarity of a Super 400, but with the smaller body of the L5. This offers the best of both with the larger Super 400 headstock and neck, and the smaller 17″ L5 Body. Listen to Bob DeVos playing a Super V https://www.youtube.com/watch?v=L_U___s7lTM
Gibson Memphis 1959 VOS Reissue – Rare find! These VOS guitars are excellent. Gibson has released a small number of faithful reissues , matched to original specs of the classic 1959 design.
1948 Gibson L7c Custom Hank Garland in excellent condition. A vintage 1948 Gibson carved archtop is difficult to beat in tone, playability, projection and value!
Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: This classic fully-hollow single-cutaway design is even better with a Gibson L5 neck.
A 1996 vintage Gibson WES L5 carved archtop is difficult to beat in tone, playability, projection and value! This Blonde L5 is truly special!
A vintage Gibson WES L5 carved archtop is difficult to beat in tone, playability, projection and value! This one is truly special!
The Gibson is a trim es175 with a thinner body great for jazz, but made for blues with thinner flamed maple like the es 175 to control feedback only 6.5 pounds.
This GIBSON L5 CES is mint and the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case and COA.
This GIBSON L5 CES is in excellent condition and the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case..
Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: This classic fully-hollow single-cutaway design is even better with a Gibson L5 neck.
This GIBSON L5 CES is mint and the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case and COA.
This all original non cutaway Super 400 features solid carved-wood construction with a carved spruce top and carved maple back and solid maple sides, and upon its introduction was the largest guitar that theGibson had produced. 18” at the lower bout and 3 3/8” in depth at the rimes. Ebony fretboard with 20 frets joint to the body at the 14th fret and original rosewood bridge
Early 1970 Gibson Johnny Smith Ice Tea Sunburst archtop Guitar. Excellent++ condition with flamed back and flamed sides, and exceptionally good playing/working condition .
This 1949 L4C has a floating gold pickup, and is amazing condition cosmetically and structurally. Glorious clarity warmth and tone, effortless playability.
1963 Gibson L7c with JS mini humbucker in excellent condition. A vintage Gibson carved archtop is difficult to beat in tone, playability, projection and value!
This all original non cutaway Super 400 features solid carved-wood construction with a carved spruce top and carved maple back and solid maple sides, and upon its introduction was the largest guitar that theGibson had produced. 18” at the lower bout and 3 3/8” in depth at the rimes. Ebony fretboard with 20 frets joint to the body at the 14th fret and original rosewood bridge
This 1949 L4C has a floating gold pickup, and is amazing condition cosmetically and structurally. Glorious clarity warmth and tone, effortless playability.
Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box” body: The classic fully-hollow single CC pickup, single-cutaway design
rare Gibson ES300 one P90 pickup has an arched rare spruce top, and rare mahogany back, and sides, one P90 with a fat robust clean woody warm tone with great clarity.
This GIBSON L5 CES is mint and the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case and COA.
A vintage Gibson L50 carved semi hollow archtop is difficult to beat in tone, playability, projection. It is the ultimate jazz semi hollow and I can unequivocally say that I have never hear another semi hollow with this clarity and so well suited for all types of music, especially Jazz.
This all original non cutaway Super 400 features solid carved-wood construction with a carved spruce top and carved maple back and solid maple sides, and upon its introduction was the largest guitar that theGibson had produced. 18” at the lower bout and 3 3/8” in depth at the rimes. Ebony fretboard with 20 frets joint to the body at the 14th fret and original rosewood bridge
This GIBSON L5 CES is mint and the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case.
A vintage Gibson carved archtop is difficult to beat in tone, playability, projection and value!This L50 with a scale 24 3/4” length and body size as the L-4 and the ES-175 models is easy to hold and fun to play, and allows for faster soloing, and more accurate chording of stretch voicings.
This 1952 L4C has an ebony L5 fretboard, headstock, tailpiece and tuners, and routed gold humbucker pickup, and is amazing condition cosmetically and structurally. Glorious clarity warmth and tone, effortless playability.
Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: This classic fully-hollow single-cutaway design is even better with a Gibson L5 neck.
This 1949 L4C has a floating gold pickup, and is amazing condition cosmetically and structurally. Glorious clarity warmth and tone, effortless playability.
A Custom vintage Gibson L5 carved archtop – If there was ever made an L5 Jazz version of a Byrdland, or George Goebel archtop this is it. This Gibson was originally manufactured to be a full size 17″ acoustic L5.
Gibson Es175 features all laminated woods, similar specs and a rosewood fretboard, to give you the ultimate in versatility to play all venues of music, superior tone, balance, and note definition.
rare Gibson ES300 one P90 pickup has an arched rare spruce top, and rare mahogany back, and sides, one P90 with a fat robust clean woody warm tone with great clarity.
Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box” body: The classic fully-hollow single CC pickup, single-cutaway design
rare Gibson ES300 one P90 pickup has an arched highly flame maple top, maple back, and sides, one P90 with a fat robust tone with great clarity.
1949 Gibson post war L7 in excellent condition. A vintage Gibson carved archtop is difficult to beat in tone, playability, projection and value!
Gibson Es175 with gold hardware which features all laminated woods, similar specs and a rosewood fretboard, to give you the ultimate in versatility to play all venues of music, superior tone, balance, and note definition.
Gibson Es175 which features all laminated woods, similar specs and a rosewood fretboard, to give you the ultimate in versatility to play all venues of music, superior tone, balance, and note definition.
Symmetrical double cutaway ES-335-style laminated maple body, two unbound f-holes, single-ply cream top and back binding, one-piece mahogany 1959 rounded profile neck, 22-fret bound rosewood fingerboard with pearloid dot inlays, black headstock overlay with pearl logo and crown inlay, three-per-side Grover kidney tuners, ABR-1 bridge, Tune-o-Matic bridge with stopbar tailpiece, raised bound black pickguard, two […]
Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: The classic fully-hollow single-cutaway design
Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: The classic fully-hollow single-cutaway design
1964 Gibson Johnny Smith Sunburst archtop Guitar. Excellent condition with flamed back and flamed sides, and exceptionally good playing/working condition .!
Up for sale is a stunning 1969 Gibson 18″ Super 400 Cutaway, no pickup, featuring the thinner profile neck of that era. in original Sunburst finish. The guitar is in excellent overall condition, showing only light play wear. Very flames back, great tome. has three ply back and heel cap binding, a Venetian (soft) cutaway, […]
This GIBSON L5 CES is the real deal- one sweet paying guitar with great tone and clarity , great action, and it just sings! Comeswith original case and cloth case cover. Rare wide neck 1.73″ nut and 2.10″ at the 12th fret- excellent tone, playability, projection and value!
Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: The classic fully-hollow single-cutaway design
Ever since it hit the scene in 1949 the ES-175 has remained the world’s favorite “jazz box”, Body: The classic fully-hollow single-cutaway design
Ever since it hit the scene in 1990s the ES-137 has remained the world’s favorite thin “jazz box” with a small center block, Body:
Ever since it hit the scene in 1954 the ES-135 has remained the world’s favorite small “jazz box”, Body: The classic semi-hollow single-cutaway design
1964 Gibson Johnny Smith Sunburst archtop Guitar. Excellent condition with flamed back and flamed sides, and exceptionally good playing/working condition .!
Ever since it hit the scene in 1949 the ES-175 has remained the world’s favorite “jazz box”, Body: The classic fully-hollow single-cutaway design
Ever since it hit the scene in 1949 the ES-175 has remained the world’s favorite “jazz box”, Body: The classic fully-hollow single-cutaway design
Ever since it hit the scene in 1949 the ES-175 has remained the world’s favorite “jazz box”, Body: The classic fully-hollow single-cutaway design
1948 Gibson L7-P #A-2303 (White Label)
This guitar has a ton of mojo in it. Great tone in the body, beautiful Brazilian Rosewood fingerboard. 25 1/2″ scale length. There is a new nut & pickguard as well as a Kent Armstrong designed HJGN3BK pickup installed.
1962 Gibson L7c with JS mini humbucker in excellent condition. A vintage Gibson carved archtop is difficult to beat in tone, playability, projection and value!
Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: The classic fully-hollow single-cutaway design
Gibson Es175 which features all laminated woods, similar specs and a rosewood fretboard, to give you the ultimate in versatility to play all venues of music, superior tone, balance, and note definition.
Ever since it hit the scene in 1949 the ES-175 has remained the world’s favorite “jazz box”, Body: The classic fully-hollow single-cutaway design
Ever since it hit the scene in 1949 the ES-175 has remained the world’s favorite “jazz box”, Body: The classic fully-hollow single-cutaway design
Gibson Memphis 1959 VOS Reissue – Rare find! These VOS guitars are excellent. Gibson has released a small number of faithful reissues , matched to original specs of the classic 1959 design.
Montgomery’s talents have inspired a generation of guitarists, but his guitar and legend lives on in the Wes Montgomery L-5CES from Gibson Custom. The guitar is available in Vintage Sunburst, Wine Red, Natural and Ebony finishes,
2012 Guitars 'n Jazz | Night Sky Technologies