The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Peerless Cremona 16″ FC Carved Archtop Electric Thinline Jazz Guitar w case
July 5, 2023 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR #8340 w case
November 25, 2022 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″ FC Carved Archtop Electric Thinline Jazz Guitar w case
November 28, 2020 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018389
February 25, 2020 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018285
February 19, 2020 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018286
February 19, 2020 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless Cremona 16″ VC ARCHTOP ELECTRIC GUITAR w case#8332
September 13, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″ VC carved ARCHTOP ELECTRIC GUITAR w case #8331
September 13, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″ VC carved ARCHTOP ELECTRIC GUITAR w case #8333
September 13, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″VC carved ARCHTOP ELECTRIC GUITAR w case #8330
September 13, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″FC Carved ARCHTOP ELECTRIC GUITAR w cse #8337
September 13, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR
September 9, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR #8339
September 9, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR #8335 w case
September 9, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16″FC ARCHTOP ELECTRIC GUITAR w case#8336
September 9, 2019 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR # 3017947
May 30, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16VC 3017954
May 30, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC Carved ARCHTOP ELECTRIC GUITAR # 3017946
May 26, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16VC 3017955
May 25, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Ruby Cremona 16V Archtop Guitar # 7973
May 25, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR # 3017948
May 23, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR # 3017949 (Copy)
May 23, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar #3008764 w case
April 3, 2017 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless CONTESSA 16″ Archtop Jazz Guitar w upgrades #3008540 w case
April 3, 2017 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless Cremona 16V 9078
August 11, 2016 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16V 6346
July 27, 2016 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16V 9084
July 27, 2016 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16V 9087
July 27, 2016 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16 #9082 NOS
July 27, 2016 By
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Peerless Cremona 16V Features
February 19, 2012 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16F Features
February 18, 2012 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.