Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: This classic fully-hollow single-cutaway design is even better with a Gibson L5 neck.
Gibson 2011 Wes Montgomery L5 CES Custom Archtop HOLD Jazz Guitar HOLD
A vintage Gibson WES L5 carved archtop is difficult to beat in tone, playability, projection and value! This one is truly special!
Heritage 2001 Golden Eagle Blonde Archtop Guitar w OHSC -sale ends 12/24/2024
Heritage is now 40 years old, it has achieved the status of one of the premier guitar companies in the world today. This Golden Eagle was made by the luthiers who left Gibson 12 years earlier than this Golden eagle was crafted. It is their flagship archtop guitar line handled by countless vintage shops throughout the world and getting more difficult to find.- See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Heritage 2008 Golden Eagle Blonde Archtop Guitar w OHSC- Sale end 12/24/2024-
Heritage is now 40 years old, it has achieved the status of one of the premier guitar companies in the world today. This Golden Eagle was made by the luthiers who left Gibson 12 years earlier than this Golden eagle was crafted. It is their flagship archtop guitar line handled by countless vintage shops throughout the world and getting more difficult to find.- See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Peerless Cremona 17VC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3017977
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
2014 Heritage H-550 17″ Archtop Jazz Guitar w/ hard case
Heritage guitars version of a 2-pickup 25 1/2″ scale jazz guitar; 1-piece Mahogany neck with a 20 fret bound ebony board with mop block inlays, 17″ laminated Maple body with solid Maple 3″ rim.
Heritage 2002 Golden Eagle Sunburst Archtop Guitar
Heritage is now 40 years old, it has achieved the status of one of the premier guitar companies in the world today. This Golden Eagle was made by the luthiers who left Gibson 12 years earlier than this Golden eagle was crafted. It is their flagship archtop guitar line handled by countless vintage shops throughout the world and getting more difficult to find.- See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Guild A 350 Vintage Sunburst Archtop Guitar with original case #16791
The best archtop guitars were made in the 1950’s and 1960’s. Guild A 500, and A350 archtops were among the finest and had that great vintage tone that you just can’t find in new guitars today.
Gibson 1996 Blonde Wes Montgomery L5 CES Custom Archtop Jazz Guitar w OHSC
A 1996 vintage Gibson WES L5 carved archtop is difficult to beat in tone, playability, projection and value! This Blonde L5 is truly special!
Gibson 2011 Wes Montgomery L5 CES Custom Archtop Jazz Guitar w OHSC
A vintage Gibson WES L5 carved archtop is difficult to beat in tone, playability, projection and value! This one is truly special!
Gibson 1952 Vintage L5CE Sunburst Archtop Guitar #A-12361
Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: This classic fully-hollow single-cutaway design is even better with a Gibson L5 neck.
Heritage 1997 Golden Eagle Archtop Guitar
Heritage is now 40 years old, it has achieved the status of one of the premier guitar companies in the world today. This Golden Eagle was made by the luthiers who left Gibson 12 years earlier than this Golden eagle was crafted. It is their flagship archtop guitar line handled by countless vintage shops throughout the world and getting more difficult to find.- See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Guild A500 1956 Archtop Carved Jazz Guitar Archtop Guitar
The best archtop guitars were made in the Golden Era -the 1950’s and 1960’s. Guild A 500, and A350 archtops were among the finest and had that great vintage tone that you just can’t find in new guitars today.
Heritage Sweet 16 Flamed Archtop 1998 Guitar O05102 w original case
The Heritage company is over 25 years old, it has achieved the status of one of the premier guitar companies in the world today. The greatest Heritage guitars were built by the original owners who established Heritage when leaving Gibson. The Sweet a6 was one of the most popular models due to it small comfortable body, and big tone! Unfortunately the original founders are alll gone, and Heritage now builds very few carved archtops because the skill of building fine archtops isn’t easy to find.
Heritage Sweet 16 Flamed Archtop 2004 Guitar UO5302 w original case
This Heritge Sweet 16 archtopguitar was owned by a collector and has minimal signs if being played. Original frets with hardly any wear, In fact even better than new, with the hand rubbed custom ebony tailpiece the makes it sound better than most Sweet 16’s that have ever been in our shop.Made during the Golden Era of Heritage guitars. These guitars are no longer made and to have one in this condition, with this play ability and tone is almost impossible to find. The Sweet a6 was one of the most popular models due to it small comfortable body, and big tone!
Gibson Vintage 1952 Custom L4C L5 neck, ebony fretboard w inlays, L5 Tuners Headstock & Tailpiece #A11254 SOLD
This 1952 L4C has an ebony L5 fretboard, headstock, tailpiece and tuners, and routed gold humbucker pickup, and is amazing condition cosmetically and structurally. Glorious clarity warmth and tone, effortless playability.
Guild A500 1956 Archtop Carved Jazz Guitar Archtop Guitar
The best archtop guitars were made in the Golden Era -the 1950’s and 1960’s. Guild A 500, and A350 archtops were among the finest and had that great vintage tone that you just can’t find in new guitars today.
Gibson Vintage L5 C Custom Thin Body Archtop Jazz Guitar w pickup
A Custom vintage Gibson L5 carved archtop – If there was ever made an L5 Jazz version of a Byrdland, or George Goebel archtop this is it. This Gibson was originally manufactured to be a full size 17″ acoustic L5.
Trenier 2012 Special Carved Model E 16″x 2 5/8″ Archtop Guitar w OHSC
Treneir Special Custom Carved 16″ Model E Archtop in near mint condition This must be seriously considered if you are seeking a great archtop guitar.
Heritage 1993 Blonde Golden Eagle Archtop Guitar w KA hand wound Floating full size Humbucker
The company is going on 35 years old, it has achieved the status of one of the premier guitar companies in the world today. This is a great example of a Golden Eagle from it’s golden era of guitar builders.
1940 Masterbuilt Blonde Epiphone Deluxe OHSC #15352
A 1940 Masterbuilt carved Blonde Epiphone Deluxe with the extremely desirable 17 3/8″ body, lightweight feel and delivers great vintage chunky Epiphone 40’s tone, easy playability, and great projection especially in a big band venue
Heritage 1996 Blonde Super Eagle Archtop Jazz Guitar
Heritage guitars version of a Super 400 -25 1/2″ scale; 20 fret bound ebony board with mop block inlays, 5 piece curl)! mapie neck, head veneer with mop Heritage, 3″ rim, 18″ body, 20 114″body length solid carved multiple white bound spruce top, and solid carved multiple white bound back and curly maple rim, single bound f holes, gold parts, Mad by the same guys who made them for Gibson.
Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3018169
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Guild A 350 Vintage Sunburst Archtop Guitar with original case 1968
The best archtop guitars were made in the 1950’s and 1960’s. Guild A 500, and A350 archtops were among the finest and had that great vintage tone that you just can’t find in new guitars today.
Peerless Cremona 17VC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3018175
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar #8346 w case
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Peerless Cremona 17VC-CES 2 Set Humbucker Carved Archtop Electric Guitar #8341 w case
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Peerless Cremona 17″x 2.5″ CES 2 HB Carved FC Archtop Electric Guitar #8347 w case
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Gibson Wes Montgomery L5 CES Custom Archtop Jazz Guitar w OHSC
A vintage Gibson L5 carved archtop is difficult to beat in tone, playability, projection and value!
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018389
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018285
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018286
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless Cremona 17VC-CES 2 Set Humbucker Carved Archtop Electric Guitar #8334 w case
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
2017 Gibson Wes Montgomery L5 CES Custom Archtop Jazz Guitar
A vintage Gibson L5 carved archtop is difficult to beat in tone, playability, projection and value!
1962 Guild A 350 #22473
The best archtop guitars were made in the 1950’s and 1960’s. Guild A 500, and A350 archtops were among the finest and had that great vintage tone that you just can’t find in new guitars today.
Guild A 500 Archtop Jazz Guitar Blonde Archtop Guitar
The best archtop guitars were made in the 1950’s and 1960’s. Guild A 500, and A350 archtops were among the finest and had that great vintage tone that you just can’t find in new guitars today.
Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar #301879
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3018169
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3018173
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Peerless Cremona 17VC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3018176
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Peerless Cremona 17VC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3018178
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3017977
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Peerless Cremona 17FC-CES 2 Set Humbucker Carved Archtop Electric Guitar #3018174
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Peerless Cremona 17 VCr Archtop Jazz Guitar #7952
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Gibson Vintage 1970s L5 CES Archtop Jazz Guitar
A vintage Gibson L5 carved archtop is difficult to beat in tone, playability, projection and value!
Peerless Cremona 17F-CES 2 SET HUMBUCKER ARCHTOP ELECTRIC GUITAR
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model.
Gibson Vintage Wes Montgomery L5 CES Archtop Jazz 1998 Guitar
A vintage Gibson L5 carved archtop is difficult to beat in tone, playability, projection and value!
Heritage 1996 Golden Eagle Archtop Guitar
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
1947 Epiphone Vintage Blackstone Carved Archtop #56736
This Blackstoneis a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtops ever made.
Peerless Cremona 16VC 3017954
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16VC 3017955
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Ruby Cremona 16V Archtop Guitar # 7973
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless JAZZ 15 Carved Archtop Jazz 15″ Guitar #3017975
The crisp high-end balances the warm low tones of this Jazz 15″ versatile archtop. Lowest price guaranteed. All GnJ guitars ship fast, and come with proset up ready to gig right out of the box.
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar #3008764 w case
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless CONTESSA 16″ Archtop Jazz Guitar w upgrades #3008540 w case
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Guild A 350 Vintage Archtop Guitar with original case
The best archtop guitars were made in the 1950’s and 1960’s. Guild A 500, and A350 archtops were among the finest and had that great vintage tone that you just can’t find in new guitars today.
ZEIDLER 17″ Carved Archtop Guitar
Zeidler archtops are very response, with lively acoustic tone and great projection. Very light to hold and comfortable to play.
Epiphone Vintage Triumph Regent Carved Archtop 1951
This Triumph is a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtops ever made.
Epiphone Vintage Triumph Regent Carved Archtop 1951
This Triumph is a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtops ever made.
John D’Angelico Style B 1944
The D’Angelico full size hollow bodies were originated by the great and only John D’Angelico. Their design is unique and timeless. Instantly you know it is a D’Angelico.
Heritage 1997 17″ Eagle Classic Archtop Jazz Guitar
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Heritage 1997 Golden Eagle Archtop Guitar
The company is going on 25 years old, it has achieved the status of one of the premier guitar companies in the world today. It is, in many instances, the new guitar line handled by countless vintage shops throughout the world. – See more at: https://guitarsnjazz.com/product/heritage-golden-eagle/#sthash.ZmZMiPK3.dpuf
Gibson Vintage 1971 L5 CES Archtop Jazz Guitar
A vintage Gibson L5 carved archtop is difficult to beat in tone, playability, projection and value!
Gibson Vintage 1974 L5 CES Archtop Jazz Guitar
A vintage Gibson L5 carved archtop is difficult to beat in tone, playability, projection and value!
Archtop Jazz Guitar Heritage 2006 Henry Johnson L5 Tobacco Sunburst
Heritage guitars version of an L5 -25 1/2″ scale; 20 fret bound ebony board with mop block inlays, 5 piece curl)! mapie neck, head veneer with mop Heritage, 3 1/4″ rim, 17″ body, 20 114″body length solid carved multiple white bound spruce top, and solid carved multiple white bound back and curly maple rim, single bound f holes, gold parts,
Moonstone KOA #4811
PALEN ARCHTOPS are among the finest archtop guitars ever built. The Palen Archtop is an “X” braced traditional instrument, descendent from the D’Aquisto school of instruments- very light and acoustic. It features a hand carved and graduated top and back, slightly thicker than many typical archtop guitars, with a very resonant and acoustic tone.
Moonstone Mahogany
If Steve Helgeson (Moonstone Owner) is still building his guitars with as much attention to detail as he used to, then I imagine that the M80 will be an excellent guitar.
the sound – not for vi8ntage blues tones – but sophisticated Alembic type fusion and jazz sounds. I liken it to a Stanley Clarke sound in a guitar.
the bridge pickup has an insane amount of gain.
Peerless Cremona 16V 9078
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16V 6346
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16V 9084
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Guild Artist Award 1966 Archtop Guitar
The best archtop guitars were made in the 1950’s and 1960’s. Guild a 500 archtops were among the finest and had that great vintage tone that you just can’t find in new guitars today.
Guild Artist Award 1977
The best archtop guitars were made in the 1950’s and 1960’s. Guild a 500 archtops were among the finest and had that great vintage tone that you just can’t find in new guitars today.
Epiphone Broadway 1952
This Broadway is a superb model of the old Epiphones, with the chunky full tones that they were known for. Undoubtably the best comping archtop ever made