400 Archtops in stock - choose don't settle
Double Venetian cutaway hollow body with 2 f-holes Carved spruce top, solid KOA back & sides;Top and back hand carved out of 1 inch solid spruce and mahogeny blocks; Heavy internal bracing partially carved from mahogany back with heavy bracing under top which stop tailpiece is anchored. 24 fret ebony fret board
Bound body front and back w/ multi-ply Black/white binding
Optional burl walnut pickguard 2-piece figured maple neck
24-fret bound ebony fingerboard with abalone star/snowflake inlays
Double Venetian cutaway hollow body with 2 f-holes Carved spruce top, solid KOA back & sides;Top and back hand carved out of 1 inch solid spruce and mahogeny blocks; Heavy internal bracing partially carved from mahogany back with heavy bracing under top which stop tailpiece is anchored. 24 fret ebony fret board
Bound body front and back w/ multi-ply Black/white binding
Optional burl walnut pickguard 2-piece figured maple neck
24-fret bound ebony fingerboard with abalone star/snowflake inlays
Double Venetian cutaway hollow body with 2 f-holes Carved spruce top, Mahogany back & sides;Top and back hand carved out of 1 inch solid spruce and mahogeny blocks; Bound body front and back w/ multi-ply Black/white binding. Heavily bracing under the top to anchor the stop tailpiece, and thickly carved back center, but completely hollow. If you put a light into one F hole, you will see the light in the opposite f hole.
Optional burl walnut pickguard 2-piece figured maple neck
24-fret bound ebony fingerboard with abalone star/snowflake inlays
The Monarch is the flagship and made of all solid woods and undoubtedly the best value in the jazz world delivering a great guitar with great chordal note separations, clarity, sustain and feedback resistant. This is accomplished by using all solid woods – spruce top and maple back and sides and installing a sound-post from the factory that dampens the top just enough to make this guitar feedback resistant. The fretboard is a dream starting at 1.69 at the nut and increasing gradually to 2 1/16 at the 12th fret.
The NYSD solid models have been in the D’Angelico line and have a great deal of versatility. They deliver crisp, clean single notes at the high volume levels possible without worrying about feedback.
** DISCONTINUED ** The NYSD solid models have been in the D’Angelico line and have a great deal of versatility. They deliver crisp, clean single notes at the high volume levels possible without worrying about feedback.
