DICK KNIGHT CARVED JAZZ 17” ARCHTOP original Charlie Christian Pickup & case

KNIGHT CARVED JAZZ 17” ARCHTOP original Charlie Christian Pickup.  KNIGHT archtops are very response,  with lively acoustic tone and  great projection.  Very light to hold and comfortable to play. The best combination of an L5 and the best American luthier archtop.

2008 Sadowsky Jim Hall Archtop Jazz Guitar #A421

The Sadowsky Jim Hall Guitar has an decreased  thickness of the top and back to provide a more acoustic response. He reduced the depth of the body to control feedback, designed a new ebony tailpiece with a string ground, and shaped the neck until it felt just right to Jim. This 2008 Sadowsky Jim Hall is the real deal and features a  nitrocellulose finish which was later discontinued on this model in favor of polyurethane.

DICK KNIGHT CARVED JAZZ 17” ARCHTOP original Charlie Christian Pickup & case

KNIGHT CARVED JAZZ 17” ARCHTOP original Charlie Christian Pickup.  KNIGHT archtops are very response,  with lively acoustic tone and  great projection.  Very light to hold and comfortable to play. The best combination of an L5 and the best American luthier archtop.

Kistler Carved Spruce Maple Archtop )

This KISTLER guitar is a combination of a “hollowed out” solid body with rounded sides and a carved arched top, going beyond traditional archtops, beyond chambered bodies, while still maintaining the beauty of most of the functionality of an F hole archtop.

2014 Sadowsky Jim Hall Archtop Jazz Guitar #A1286 Sold

The Sadowsky Jim Hall Guitar has an increased  thickness of the top and back to provide a more acoustic response. He reduced the depth of the body to control feedback, designed a new ebony tailpiece with a string ground, and shaped the neck until it felt just right to Jim.

2012 Jim Hall Sadowsky Archtop Jazz Guitar

The Sadowsky Jim Hall Guitar has an increased  thickness of the top and back to provide a more acoustic response. He reduced the depth of the body to control feedback, designed a new ebony tailpiece with a string ground, and shaped the neck until it felt just right to Jim.

Kistler Carved Spruce Maple Archtop

This KISTLER guitar is a combination of a “hollowed out” solid body with rounded sides and a carved arched top, going beyond traditional archtops, beyond chambered bodies, while still maintaining the beauty of most of the functionality of an F hole archtop.

2004 Jim Hall Sadowsky Archtop Jazz Guitar SOLD

The Sadowsky Jim Hall Guitar has an increased  thickness of the top and back to provide a more acoustic response. He reduced the depth of the body to control feedback, designed a new ebony tailpiece with a string ground, and shaped the neck until it felt just right to Jim.

2006 Jim Hall SadowskyArchtop Jazz Guitar

The Sadowsky Jim Hall Guitar has an increased  thickness of the top and back to provide a more acoustic response. He reduced the depth of the body to control feedback, designed a new ebony tailpiece with a string ground, and shaped the neck until it felt just right to Jim.

2014 Sadowsky Jim Hall Archtop Jazz Guitar #A1286 w/ OHSC

The Sadowsky Jim Hall Guitar has an increased  thickness of the top and back to provide a more acoustic response. He reduced the depth of the body to control feedback, designed a new ebony tailpiece with a string ground, and shaped the neck until it felt just right to Jim.

Kistler Maple Archtop

This KISTLER guitar is a combination of a “hollowed out” solid body with rounded sides and a carved arched top, going beyond traditional archtops, beyond chambered bodies, while still maintaining the beauty of most of the functionality of an F hole archtop.