Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: This classic fully-hollow single-cutaway design is even better with a Gibson L5 neck.
Gibson 1952 ES 175 Sunburst Archtop Guitar L5 24 3/4″ scale (Vintage Staple pickup,Ebony fretboard, L5 inlays & HS)
April 21, 2025 By
Gibson 1952 ES 175 Sunburst Archtop Guitar L5 24 3/4″ scale (Vintage Staple pickup,Ebony fretboard, L5 inlays & HS)
December 7, 2024 By
Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: This classic fully-hollow single-cutaway design is even better with a Gibson L5 neck.
2014 Heritage H-550 17″ Archtop Jazz Guitar w/ hard case
August 28, 2024 By
Heritage guitars version of a 2-pickup 25 1/2″ scale jazz guitar; 1-piece Mahogany neck with a 20 fret bound ebony board with mop block inlays, 17″ laminated Maple body with solid Maple 3″ rim.
Gibson 1952 ES 175 Sunburst Archtop Guitar L5 24 3/4″ scale (Vintage Staple pickup,Ebony fretboard, L5 inlays & HS)
April 7, 2024 By
Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: This classic fully-hollow single-cutaway design is even better with a Gibson L5 neck.
Gibson 1952 ES 175 Sunburst Archtop Guitar L5 24 3/4″ scale (Vintage Staple pickup,Ebony fretboard, L5 inlays & HS)
October 4, 2022 By
Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: This classic fully-hollow single-cutaway design is even better with a Gibson L5 neck.
Heritage 1993 Blonde Golden Eagle Archtop Guitar w KA hand wound Floating full size Humbucker
December 19, 2021 By
The company is going on 35 years old, it has achieved the status of one of the premier guitar companies in the world today. This is a great example of a Golden Eagle from it’s golden era of guitar builders.
1940 Masterbuilt Blonde Epiphone Deluxe OHSC #15352
December 18, 2021 By
A 1940 Masterbuilt carved Blonde Epiphone Deluxe with the extremely desirable 17 3/8″ body, lightweight feel and delivers great vintage chunky Epiphone 40’s tone, easy playability, and great projection especially in a big band venue
Heritage 1996 Blonde Super Eagle Archtop Jazz Guitar
December 12, 2021 By
Heritage guitars version of a Super 400 -25 1/2″ scale; 20 fret bound ebony board with mop block inlays, 5 piece curl)! mapie neck, head veneer with mop Heritage, 3″ rim, 18″ body, 20 114″body length solid carved multiple white bound spruce top, and solid carved multiple white bound back and curly maple rim, single bound f holes, gold parts, Mad by the same guys who made them for Gibson.
Peerless Cremona 17VC-CES 2 Set Humbucker Carved Archtop Electric Guitar #8341 w case
November 28, 2020 By
This Custom 17″ Cremona was built in the model of a Gibson L5 CES with 2 set Humbuckers, which is more feedback resistant for the professional musician. With a carved solid top it imparts dark “Gibson like tone” with great chordal note separation and feedback resistance not found in the larger model. This is a Gibson L5ces killer at 1/4 the price.
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018389
February 25, 2020 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018285
February 19, 2020 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018286
February 19, 2020 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR # 3017947
May 30, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 17 Archtop Jazz Guitar 3017951 W case
May 30, 2017 By
The Cremona 17 is Peerless other top model with a carved soft maple top, maple laminated back and sides and a set in Humbucker pickup. The Cremona has the tones that resemble a Gibson Wes L5 with a little bit of twang and sustain created by the soft carved maple top that makes those octaves pop!
Peerless Cremona 16FC Carved ARCHTOP ELECTRIC GUITAR # 3017946
May 26, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless CONTESSA 16″ Carved Archtop Jazz Guitar #3008764 w case
April 3, 2017 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Peerless CONTESSA 16″ Archtop Jazz Guitar w upgrades #3008540 w case
April 3, 2017 By
Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.
Guild George Barnes Sunburst 1960’s Archtop Guitar –
February 22, 2017 By
The best archtop guitars were made in the 1950’s and 1960’s. Guild A 500, and A350 archtops were among the finest and had that great vintage tone that you just can’t find in new guitars today.
Guild George Barnes Blonde 1961 Archtop Guitar -all original
February 22, 2017 By
The best archtop guitars were made in the 1950’s and 1960’s. Guild A 500, and A350 archtops were among the finest and had that great vintage tone that you just can’t find in new guitars today.
Peerless Manhattan 5476 w case
August 18, 2016 By
One of the best multi-purpose jazz performance guitars. Ebony fingerboard, bridge, tailpiece and finger rest and bone nut. It represents the new wave of design while not forgetting the traditions of jazz guitars.