Gibson 1952 ES 175 Sunburst Archtop Guitar L5 24 3/4″ scale (Vintage Staple pickup,Ebony fretboard, L5 inlays & HS)

Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: This classic fully-hollow single-cutaway design is even better with a Gibson L5 neck.

Gibson 1952 ES 175 Sunburst Archtop Guitar L5 24 3/4″ scale (Vintage Staple pickup,Ebony fretboard, L5 inlays & HS)

Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: This classic fully-hollow single-cutaway design is even better with a Gibson L5 neck.

2010 Kistler Carved Sakashta Style Spruce & Mahogany Archtop Guitar w/ case

Kistler Guitars, offer great balance, good sustain, neck feels great, comfortable. And this common comment I loved: “it sounds like a bigger guitar acoustically, and gives you the ability to play an archtop loud with clarity and without feedback”

John D’Angelico 1954 RARE all original EXCEL Cutaway Blonde carved Archtop Guitar Chuck Wayne Specs HOLD

Nothing will every be as good as John D’Angelico originals, or playing one of John’s D’Angelico´s masterpieces – the finest built Jazz guitars ever made. This may be the rarest D’Angelico every made by John and it has the serial number to match the year it was made – 1954 impressed onto the neck block which is clearly visible from the f holes. This was obviously done because the interior of this guitar is lined in green felt to decrease feed back. The acoustic tone is amazing, all the notes are clear with great bass and mellow highs with great clarity.

Gibson 1952 ES 175 Sunburst Archtop Guitar L5 24 3/4″ scale (Vintage Staple pickup,Ebony fretboard, L5 inlays & HS)

Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: This classic fully-hollow single-cutaway design is even better with a Gibson L5 neck.

Kistler Carved Sakashta Style Spruce & Mahogany Archtop Demo Guitar w case

Kistler Guitars,off great balanced , good sustain, neck feels great, comfortable. And this common comment I loved: “it sounds like a bigger guitar acoustically, and gives you the ability to play an archtop loud with clarity and without feedback”

John D’Angelico 1954 RARE all original EXCEL Cutaway Blonde carved Archtop Guitar Chuck Wayne Specs HOLD

Nothing will every be as good as John D’Angelico originals, or playing one of John’s D’Angelico´s masterpieces – the finest built Jazz guitars ever made. This may be the rarest D’Angelico every made by John and it has the serial number to match the year it was made – 1954 impressed onto the neck block which is clearly visible from the f holes. This was obviously done because the interior of this guitar is lined in green felt to decrease feed back. The acoustic tone is amazing, all the notes are clear with great bass and mellow highs with great clarity.

Kistler Carved Sakashta Style Spruce & Mahogany Archtop Demo Guitar w case

Kistler Guitars,off great balanced , good sustain, neck feels great, comfortable. And this common comment I loved: “it sounds like a bigger guitar acoustically, and gives you the ability to play an archtop loud with clarity and without feedback”

Gibson 1952 ES 175 Sunburst Archtop Guitar L5 24 3/4″ scale (Vintage Staple pickup,Ebony fretboard, L5 inlays & HS)

Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: This classic fully-hollow single-cutaway design is even better with a Gibson L5 neck.

John D’Angelico 1954 RARE all original EXCEL Cutaway Blonde carved Archtop Guitar Chuck Wayne Specs-

Nothing will every be as good as John D’Angelico originals, or playing one of John’s D’Angelico´s masterpieces – the finest build Jazz guitars ever made.. To find a Excel cutaway that sings is very difficult, especially at this price.

2002 McKerrihan Monk 16″ Wine Red #1081 Carved Archtop Guitar w case

Glen McKerrihan made high quality archtop guitars in Arizona from the mid – 1990’s to the mid-2000’s. This 16 without f holes is the perfect gigging archtop.

2016 Eastman Archtop Jazz Guitar AR905CE-BD 13650203 w case

Our deluxe-appointed 16 inch F-hole archtop. “Private Reserve” tonewoods create instruments with unsurpassed tone and response. Carved spruce top, carved maple sides & back. Also available in a left-handed model (AR905LCE). Lowest price guaranteed. All GnJ guitars ship fast, and come with proset up ready to gig right out of the box.

Kistler Carved Full Hollowbody Carved F Style Thin Archtop 2 pickups

Kistler Guitars,offers great balanced , good sustain, neck feels great, comfortable. And this common comment I loved: “it sounds like a much  bigger guitar”

Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018389

Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.

Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018285

Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.

Peerless CONTESSA 16″ Carved Archtop Jazz Guitar w case #3018286

Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.

2002 McKerrihan Monk 16″ Wine Red #1081 Archtop Guitar

Glen McKerrihan made high quality archtop guitars in Arizona from the mid – 1990’s to the mid-2000’s. This 16 without f holes is the perfect gigging archtop.

Kistler Craved Sakashta Style Archtop

Kistler Guitars,off great balanced , good sustain, neck feels great, comfortable. And this common comment I loved: “it sounds like a bigger guitar acoustically, and gives you the ability to play an archtop loud with clarity and without feedback”

Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR # 3017947

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless Cremona 16FC Carved ARCHTOP ELECTRIC GUITAR # 3017946

The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.

Peerless CONTESSA 16″ Carved Archtop Jazz Guitar #3008764 w case

Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.

Peerless CONTESSA 16″ Archtop Jazz Guitar w upgrades #3008540 w case

Carved Solid Spruce top & carved solid Maple back, with solid maple sides, 3” at the rims, 16” lower bout. ebony pickguard, fretboard and tailpiece. Floating mini humbucker with 90% the output of an epiphone 57 full size hum bucker. 25 1/2 scale, 1.69” at nut. Great playability and acoustic tone.

Benedetto 16″ 7 String Blonde Archtop

Benedetto  ARCHTOPS are among the finest archtop guitars ever built. The Archtop is an “X” braced traditional instrument, descendent from the D’Aquisto school of instruments- very light and acoustic. It features a hand carved and graduated top and back, slightly thicker than many typical archtop guitars, with a very resonant and acoustic tone.

Eastman AR905CE-BD 14650125 Archtop Jazz Guitar

Our deluxe-appointed 16 inch F-hole archtop. “Private Reserve” tonewoods create instruments with unsurpassed tone and response. Carved spruce top, carved maple sides & back. Also available in a left-handed model (AR905LCE). Lowest price guaranteed. All GnJ guitars ship fast, and come with proset up ready to gig right out of the box.

Eastman AR503CE #0064 Archtop Blonde Jazz Guitar

16 inch F-hole electric archtop sunburst. Carved spruce top, maple laminate sides and back. Custom mounted humbucking pickup. Feedback resistant with great tone, excellent gigging guitar. OVER 200 Eastmans in stock – Lowest price guaranteed. All GnJ guitars ship fast, and come with proset up ready to gig right out of the box.

Eastman 910ce-7 17″Seven

Absolutely stunning 910ce -7 seven string. Fully carved Archtop with all solid premium woods. New 5 piece maple/ ebony fretboard, 2 1/8″ at nut and mutli laminated maple / ebony headstock. Customshop Guitars in the Eastman Uptown Luxury Series feature the outstanding craftsmanship of our Professional Series with upgrades in materials and finish to create beautiful instruments of unsurpassed quality.

Kistler Craved Full Hollowbody Carved F Style Archtop

Kistler Guitars,off great balanced , good sustain, neck feels great, comfortable. And this common comment I loved: “it sounds like a bigger guitar”

McKerrihan 16 Carved Archtop Guitar

Glen McKerrihan made high quality archtop guitars in Arizona from the mid – 1990’s to the mid-2000’s. This 16 without f holes is the perfect gigging archtop.

Eastman AC720 #3537

Acoustic-electric/cutaway grand auditorium, top of the line. Solid Englemann Spruce top and carved Rosewood back & sides. Integral premium pickup system.

Eastman Jazz Elite 16-7 Seven String Archtop Specs Arriving June 2021

The Jazz Elite 16″ 7 string is an all carved, 16″ lower bout, 2 1/4″ at rims archtop, custom designed by Guitars ‘n Jazz with heavy paralell bracing, block inlays, hand wound lollar imperial set humbucker pickup, and all maple binding. Top of the line performance archtop guitar and  “gig ready” out of the box.