Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: This classic fully-hollow single-cutaway design is even better with a Gibson L5 neck.
Gibson 1952 ES 175 Sunburst Archtop Guitar L5 24 3/4″ scale (Vintage Staple pickup,Ebony fretboard, L5 inlays & HS)
April 21, 2025 By
Gibson 1952 ES 175 Sunburst Archtop Guitar L5 24 3/4″ scale (Vintage Staple pickup,Ebony fretboard, L5 inlays & HS)
December 7, 2024 By
Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: This classic fully-hollow single-cutaway design is even better with a Gibson L5 neck.
Gibson 1952 ES 175 Sunburst Archtop Guitar L5 24 3/4″ scale (Vintage Staple pickup,Ebony fretboard, L5 inlays & HS)
April 7, 2024 By
Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: This classic fully-hollow single-cutaway design is even better with a Gibson L5 neck.
Gibson 1952 ES 175 Sunburst Archtop Guitar L5 24 3/4″ scale (Vintage Staple pickup,Ebony fretboard, L5 inlays & HS)
October 4, 2022 By
Ever since it hit the scene in 1949 the Gibson ES-175 has remained the world’s favorite “jazz box”, Body: This classic fully-hollow single-cutaway design is even better with a Gibson L5 neck.
Peerless Cremona 16FC ARCHTOP ELECTRIC GUITAR # 3017947
May 30, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.
Peerless Cremona 16FC Carved ARCHTOP ELECTRIC GUITAR # 3017946
May 26, 2017 By
The Cremona was built a little smaller 16″ at the lower bout and a little thinner 2 1/2″ at the rims, and given a smaller headstock for perfect balance, making it more comfortable and lighter and more feedback resistant for the professional musician. With a carved solid top it imparts “Bell like tones” with great chordal note separation and feedback resistance not found in the larger model.