Gibson Vintage L5 C Custom Thin Body Archtop Jazz Guitar w pickup

Manufacturer

Gibson Guitars

Guitar Type

Archtop Hollow Body

Lower Bout Width

17″

Body Depth

2.00″

Nut Width

1 11/16″

Fingerboard Scale

24 3/4″

Wood Composition

Carved Solid

Tonewoods

Maple, Spruce

Fretboard

Ebony

Pickup Type

Floating

Best Price Guarantee

Our goal at Guitars ‘n Jazz is to find you the best possible instrument that not only matches your personal requirements and play-style, but is also a guitar that you enjoy playing and look forward to picking up.

We strive to price our instruments as competitively as possible in order to give our customers the best possible value for their dollar. And as a guitarist myself I would never sell an instrument that didn’t live up to my own high standards and expectations.

All of our instruments are thoroughly inspected, tested, professionally set up, and carefully packed for shipment. And all instruments are sold with our 72 hour satisfaction guarantee.

We encourage you to call us for the best price possible. We routinely have demos, closeouts, blemishes, and used instruments available for purchase. And if you happen to find a lower price please let us know.

And please keep in mind that it’s difficult comparing various instruments on the Internet. Since many of our guitars come standard with upgraded woods and tone controls shopping by price alone won’t tell the whole story.

Since our inventory changes so frequently it’s best to call us to find all of your available options. With over 500 archtops in stock you can be assured that we have unbelievable guitars to fit any budget.

SKU: Gibson L5 vintage byrdland #104 A56825. Categories: , .

A Custom vintage Gibson L5 carved archtop – If there was ever made an L5 Jazz version of a Byrdland, or George Goebel archtop this is it. This Gibson was originally manufactured  to be a full size 17″ acoustic L5.

Product Description

Initially produced as an acoustic in 1922 under the direction of famed Gibson luthier Lloyd Loar, the L-5 was Gibson’s first guitar with f-holes. In the 1940s the model became the rhythm box of choice for big band players and later the standard guitar for Wes Montgomery, who would eventually receive a custom model. And it was already one of the world’s most popular guitars when Gibson first electrified the model in 1951. This Gibson has a similar history …………..

This guitar was owned by a collector who was very passionate about archtops and about jazz. His favorite archtops were vintage gibson L5’s and L4’s. So naturally he owned all the Gibson carved models Johnny Smith, Gibson L5 , Gibson L4 models. He also loved other Gibson models and had a Vision – His guitars had to be Gibsons and variations of these models because only jazz was going to be played with these models and he believed these were Gibsons best. He also favored thinner body guitars, and loved many of the other Gibsons models. Driven by his love for these two specific Gibson models all his guitars would be variations of these two models. he commissioned a talented Luthier to convert some of his many vintage Gibson L5s and L4s to the specs of the other Gibson models that are not traditionally Jazz Guitars and make a jazz version of other Gibson models. He would start with a vintage L5 or vintage L4 and design the guitars of his dreams. Every guitar was sent to his luthier with a specific description of his intentions, and he also required each guitar to be checked thoroughly first for any needed repairs so that it was structurally perfect and to his standards. The workmanship is excellent. Everything had to be the best possible.

If there was ever made an L5 Jazz version of a Byrdland archtop this is it. This Gibson was originally manufactured to be a full size 17″ acoustic L5.

To create a Byrdland it would have to be reduced to 2″ at the rims. Also a jazz version would also have a full size humbucker pickup, specifically a hand wound Kent Armstrong floating one. The scale would also have to be shortened by meticulously making a fast new Gibson neck with bound fret edges and a 24 3/4″ scale, 1 11/16″ nut 2.03″ at the 12th fret.

Most of the Gibsons in his collection still have original labels that can be verified by the serial #, but this one cannot. The body is Gibson, the neck was made by the luthier with a shorter 24 3/4” scale. Guaranteed that he spent well over $10,000 making this guitar what he wanted. Many players would love a guitar like this, but will never spend the money to get it made this way, primarily because you would never get the extra money back. This looks and feels like a Gibson but more importantly sounds like a Gibson L5. However we cannot verify it’s authenticity with the current orange label and serial number. Based upon the labels in the others in his collection we feel fairly confident that these all started out as Gibson L5’s and was modified as all the other we have from his collection that we can verify.

We are not offering a documented Gibson that could be worth as much as $10,000 if all original, but a modified guitar which we believe started as Gibson for fair price much less than you can purchase any other guitar for this Gibson tone and playability.
If you have ever dreamed of having a custom Gibson L5, or L4 we probably have one that fits your every desire. This is your chance to own one at a fraction of the cost to creating this guitar, and enjoy the wonderful version he had designed and modified that was much too costly for anyone to undertake. I know he loved these Gibson’s and we are making our best efforts to get them to players who will play and cherish them. One pro player commented that this guitar reminded him of the George Goebel L5 that he had owned years ago and wished he hd never sold.

Contact us if you are looking for your dream version of an original 17″ L5, or a 16″ L4. We have over 15 modified L5’s in our inventory currently, but they will go fast! These guitars have never previously been offered for sale.

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