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Gibson Vintage 1948 L7C Hank Garland style Carved Archtop Guitar w/ Case

Manufacturer

Gibson Guitars

Guitar Type

Archtop Acoustic, Archtop Electric, Archtop Hollow Body

Lower Bout Width

17″

Body Depth

2.5″

Nut Width

1 3/4″

Wood Composition

Carved Solid, Solid

Tonewoods

Maple, Spruce

Fretboard

Rosewood

Finish

Sunburst

$8,750

Best Price Guarantee

Our goal at Guitars ‘n Jazz is to find you the best possible instrument that not only matches your personal requirements and play-style, but is also a guitar that you enjoy playing and look forward to picking up.

We strive to price our instruments as competitively as possible in order to give our customers the best possible value for their dollar. And as a guitarist myself I would never sell an instrument that didn’t live up to my own high standards and expectations.

All of our instruments are thoroughly inspected, tested, professionally set up, and carefully packed for shipment. And all instruments are sold with our 72 hour satisfaction guarantee.

We encourage you to call us for the best price possible. We routinely have demos, closeouts, blemishes, and used instruments available for purchase. And if you happen to find a lower price please let us know.

And please keep in mind that it’s difficult comparing various instruments on the Internet. Since many of our guitars come standard with upgraded woods and tone controls shopping by price alone won’t tell the whole story.

Since our inventory changes so frequently it’s best to call us to find all of your available options. With over 500 archtops in stock you can be assured that we have unbelievable guitars to fit any budget.

Out of stock

SKU: Hank Garland L7C. Categories: , . Tags: , , , , , , , , .

1948 Gibson L7c Custom Hank Garland  in excellent condition. A vintage 1948 Gibson carved archtop is difficult to beat in tone, playability, projection and value!

Product Description

his guitar was owned by a collector who was very passionate about archtops and about jazz. His favorite archtops were vintage gibson L5’s L7s, and L4’s. So naturally he owned all the Gibson carved models Johnny Smith, Gibson L5 , Gibson L4 models. He also loved other Gibson models and had a Vision – His guitars had to be Gibsons and variations of these models because only jazz was going to be played with these models and he believed these were Gibsons best. He also favored thinner body guitars, and loved many of the other Gibsons models. Driven by his love for these two specific Gibson models all his guitars would be variations of these two models. he commissioned a talented Luthier to convert some of his many vintage Gibson L5s and L4s to the specs of the other Gibson models that are not traditionally Jazz Guitars and make a jazz version of other Gibson models. He would start with a vintage L5 or vintage L4 and design the guitars of his dreams. Every guitar was sent to his luthier with a specific description of his intentions, and he also required each guitar to be checked thoroughly first for any needed repairs so that it was structurally perfect and to his standards. The workmanship is excellent. Everything had to be the best possible.

This 1948 Hank Garland L7c is another specia. l unique Gibson archtop from our recently acquired collection. Born as a 1948 L7, the body now has a cutaway and is 2 1/2″ at the rims.The fretboard was modified to look exactly like the Hank Garland L7C. Feels, sounds and plays amazing. This collector referred to this guitar as the Hank Garland Guitar and his only L7 in his collection. Great acoustic tone, fabulous full fat amplified tone with clarity and character.    We will do our best to answer your questions and consider reasonable offers.

. The body is delightfully resonant and the guitar is really quite loud acoustically, due to the quality old woods and fully hollow design. There is something about the fit of these old gibsons that just jumps out at you; so finger friendly! She will be perfect for the professional studio, player or even collector for whom the real this really matters. Plays like a dream, no repairs needed.

Fingerboard: Rosewood with Dot large inlays
Figured woods: Figured maple top and back
Fingerboard binding: shouts Gibson with Bound fret edges
Truss rod: Historic truss rod
Pickups: Dimarzio single coil floating with custom P90 cover
Bridge: Original compensated Rosewood
Finish: High-gloss nitrocellulose lacquer -Scale: 24 3/4, 1.76″ Nut, 2.12″ at the 12th fret

Year: 1963

Model: L7C
Top: Spruce
Back and Sides: Flamed Birdseye Maple
Serial
Nut Width: 1 11/16″
Scale Length: 25.4″
Lower Bout Width: 17″
Inlays: large Dot
Trapeze tailpiece with 3 raised parallelograms
White Bound Black Pickguard
Hardshell case included

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